The Linguaggio Della Musica Gino Stefani Book Editions Paoline 1990

Description: The Language of Musicby Gino StefaniThird Edition 1990Pauline Editions Year: 1990 - Author: Gino Stefani - Publisher: Pauline Editions - Tongue: Italian - ISBN: 9788821518690In this volume by Gino Stefani, the language is explored in depthmusical experience according to a methodology that starts from experiencecommon knowledge (rather than technical knowledge). Going through an itinerary of listening, analysis and composition, the young amateur or student is introduced to the world of song, of symphonic and lyrical music, of avant-garde experimentsguard, continuously assisted by the presence of a speech concrete, brilliant and engaging, elementary and cultured. Pages of intense content: musical grammar, history of musicca, synthetic and exhaustive flights on the modern theories of Stock-hausen, Boulez, Cage, Berio; keys to the interpretation of melodrama, of the symphonic structure, of the spirituals, of the gregorian; constant links to popular singing and disco musicapprox. Reading the book easily accords with the pleasure of a piece of listening to be punctuated by countless fragmentsminds of scores, graphs and notes. The young reader will find the innovative intent of the author who, by privileging the multiple human experiences to which musical language is linked, brings forward a teaching in alternative discourse to the positions traditional of the Conservatives.GINO STEFANI He was born in Verghera, in the province of Varese. As a child he sang in the village church choir; at thirteen he joined the band playing the clarinet, and with this instrument he became a professional in small orchestras and jazz bands. In the meantime, his studies at the Milan Conservatory broadened his horizons on classical music, composition and then musicology; and his stay in various countries (France, Spain, Germany, Canada, United States) and the various activities he carried out made him discover new paths in music. For years he has dedicated himself to research, teaching and animation; he currently teaches Semiology of Music at the University of Bologna. He has published various books including: Vocal and musical expression in the liturgy (LDC 1967); Semiotics of Music (Sellerio 1976, 1985); Understanding Music (L'Espresso 1978, Bompiani 1985); Why Music (The School 1979); Musical competence and culture of peace (Clueb 1985).Description(scroll down for the English description)Conditions exactly as pictured. Structurally intact. Signs of wear, imperfections, creases and wrinkles on the cover. Slight and ordinary yellowing on internal pages. Yellowing and signs of aging on the cut. Please check all the pictures I have uploaded in high definition and read all the features mentioned above. "Purchase proposals" are welcome.Top Reliability Seller: Among the most trusted eBay sellers. Always ensures a high level of service to customers. Professional shop with 100% Positive Feedback since 2007 And eBay Guarantee, fast shipping and easy returns.I remain at your disposal for any information or request!DescriptionCondition exactly as shown in the photo. Structurally intact. Signs of wear, imperfections, folds and wrinkles on the cover. Slight and ordinary yellowing on internal pages. Yellowing and signs of aging on the cut.Please check out all the images I have uploaded in high definition and carefully read all the characteristics listed above.Best Offers are all welcome!Fast, Safe and Tracked International Shipping! 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Pages of intense content: musical grammar, history of musicca, synthetic and exhaustive flights on the modern theories of Stock-hausen, Boulez, Cage, Berio; keys to the interpretation of melodrama, of the symphonic structure, of the spirituals, of the gregorian; constant links to popular singing and dis

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