Description: Introduction Part 1: Listening 1. Improvised Listening: Opening statements ¿ George Lipsitz 2. On Listening - Jean Luc Nancy 3. Improvisation: Silence before words ¿ Jacques Lecoq 4. Going Fragile ¿ Mattin 5. Music, Language, and Cultural Styles: Improvisation as conversation ¿ Ingrid Monson 6. Interview - Peter Cusack 7. Deep Listening Meditations ¿ Egypt (1999) ¿ Pauline Oliveros Part 2: Trust/Risk 8. Improvised Trust: Opening Statements ¿ Ellen Waterman 9. Improvisation ¿ Konstantin Stanislavski 10. Impro ¿ Keith Johnstone 11. Thoughts on Improvisation: A comparative approach ¿ Bruno Nettl 12. Group Creativity: Musical Performance and Collaboration ¿ Keith Sawyer 13. The Theatre as Language: Theatre of the Oppressed ¿ Augusto Boal 14. Community Arts Practices: Improvising being together ¿ Petra Kuppers 15. "Paradise Now": Notes ¿ Judith Malina and Julian Beck 16. Chicanas¿ Experience in Collective Theatre: Ideology and form ¿ Yvonee Yarbro-Bejarano 17. Spontaneous Combustion: Notes on dance improvisation from the sixties to the nineties ¿ Sally Banes 18. Collective Creation ¿ Alan Filewood 19. Cobra ¿ John Zorn Part 3. Flow 20. Improvised Flow: Opening Statements ¿ Susan Leigh Foster 21. A Theoretical Model for Enjoyment ¿ Mihaly Csikszentmihalyi 22. Graphic Score ¿ Anthony Braxton 23. The Impermanent Art ¿ Merce Cunningham 24. Improvisation and the Ensemble ¿ Michael Chekhov 25. Theory of the Derive ¿ Guy Debord 26. Flow, Layering, Rupture in Hip-Hop ¿ Tricia Rose 27. Improvisation and the Making of American Literary Modernism ¿ Rob Wallace 28. Graphic Score (Hearing Visions Sonores) ¿ Germaine Lio and Nicholas Loess 29. Essentials of Spontaneous Prose ¿ Jack Kerouac Part 4. Dissonance 30. Improvised Dissonance: Opening Statements ¿ Jesse Stewart 31. Phantoms of the Other: Fragments of the Communal Unconscious ¿ Rustom Bharucha 32. Bebop as Cultural Alternative ¿ Daniel Belgrad 33. Happenings: An introduction ¿ Michael Kirby 34. Other: From noun to verb ¿ Nathaniel Mackey 35. Play Like a Girl: The queer laughter of the feminist improvising group ¿ Julie Dawn Smith 36. Causing a Scene with ImprovEverywhere ¿ Charlie Todd 37. Improvising Digital Culture ¿ Paul D. Milelr (DJ Spooky) and Vijay Iyer Part 5. Responsibility 38. Improvised Reponsibility: Opening statements ¿ Daniel Fischlin 39. Gittin To Know Y¿all: Improvised music, interculturalism, and the racial imagination ¿ George E. Lewis 40. Interview ¿ Fred Frith 41. Kinship, Intelligence and Memory as Improvisation: Culture and performance in New Orleans ¿ Joseph Roach 42: The Changing Same: R&B and new black music ¿ Amiri Baraka 43: By Any Means Necessary ¿ Malcolm X Part 6: Liveness 44. Improvised Liveness: Opening statements 45. Liveness ¿ Philip Auslander 46. The Revolution Will Not Be Televised ¿ Gil Scott-Heron 47. The Present of Performance ¿ Hans-Thies Lehman 48. Interview ¿ Pierre Hebert Part 7. Surprise 49. Improvising Surprise: Opening statements ¿ Rachel Rosenthal 50. Playing ¿ Richard Schechner 51. Taken by Surprise ¿ Susan Foster 52. Seven Aspects of Spontaneity ¿ Viola Spolin 53. Yoruba Play and the Transformation of Ritual ¿ Margaret Thompson Drewal 54. Play On: Collaboration and Process ¿ Tim Etchells 55. Step Across the Border ¿ Nicholas Humbert and Werner Penzel Part 8. Hope 56. Improvised Hope: Concluding statements ¿ Robin Kelley
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EAN: 9780415638715
UPC: 9780415638715
ISBN: 9780415638715
MPN: N/A
Item Length: 24.6 cm
Book Title: The Improvisation Studies Reader: Spontaneous Acts
Item Height: 246mm
Item Width: 174mm
Author: Ajay Heble, Rebecca Caines
Format: Hardcover
Language: English
Topic: Television, Music
Publisher: Taylor & Francis Ltd
Publication Year: 2014
Item Weight: 975g
Number of Pages: 462 Pages
