Description: ****Welcome to our listing, thanks very much for looking!****Shipping cost is only an estimate - it depends on the actual weight and size of the package as well as the service required. We do not profit from shipping costs, so if we overcharge, we will refund the difference back to you. We will combine shipping for multiple items purchased.Background -VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others. The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings. Box set includes recordings with specialists in historically informed performance practice such as Anner Bylsma, Gustav Leonhardt, Tafelmusik, Huelgas Ensemble, L'Archibudelli and others. The CDs are in paper sleeves with the original artwork of the former CDs. 240 page booklet with track listings and original liner notes of each recording. High quality packaging with lift-of-lid-box laminated. Artists include: Tölzer Knabenchor, Stuttgart Chamber Choir, Jos van Immerseel (piano), Vera Beths (violin), Gustav Leonhardt (harpsichord), Michael Chance (Orfeo), Nancy Argenta (Euridice), Gustav Leonhardt (organ), Ab Koster (horn), Anner Bylsma (cello), L'Archibudelli, Smithsonian Chamber Players, La Capella Ducale, Roberta Invernizzi (soprano), Vienna Boys Choir, Barthold Kuijken (flute), Wieland Kuijken (cello), Bob van Asperen (harpsichord), Charles Neidich (clarinet), La Capelle Ducale, Stuttgart Baroque Orchestra, Tafelmusik, Huelgas Ensemble, Musica Fiata Köln, Orchestra Of The Age Of Enlightenment, Mozzafiato, Musica Fiata Cologne, Gli Angeli Genève, Frieder Bernius, Jeanne Lamon, Paul van Nevel, Roland Wilson, Bruno Weil, Stephen McLeod This listing is for a rare 60-CD Box Set title - a FACTORY SEALED BOX SET, PRESSED and ISSUED by SONY Records and is a highly collectible title - Various Performers (see track listing for details)60-CD Box Set Title - Vivarte - 60 CD Collection Volume 2Track Listing -1. Ave maris stella by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 2. Gaudens gaudebo by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 3. Benedicta es tu, Virgo Maria by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 4. Ave Maria, gratia plena by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 5. Nativitas tua by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 6. Ave Maria, gratia plena by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 7. Ave Maria by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 8. Ecce virgo concipiet by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 9. Cum audisset salutationem Mariae by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 10. Magnificat anima mea Dominum by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 11. Magnificat by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 12. Kyrie "Virginitatis amator" by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 13. Salve sancta parens by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval Written: by 1350; England 14. Alma Redemptoris mater by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval Written: 10th Century 15. Lumen ad revelationem gentium by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars 16. Adorna thalamum tuum by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 17. Stabat sancta Maria by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 18. Stabat Mater by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 19. Recordare, Virgo Mater by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 20. Gaudeamus omnes by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 21. Lectio libri Sapientiae by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 22. Assumpta est by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars 23. Sancta Maria by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 24. Salve Regina [Medieval] by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 25. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach Performer: Markus Schäfer (Tenor), Jonas Will (Boy Alto), Johannes Pohl (Boy Soprano), Harry Van der Kamp (Bass) Conductor: Gustav Leonhardt Orchestra/Ensemble: Tölz Boys Choir, Baroque Orchestra Period: Baroque Written: 1726; Leipzig, Germany Date of Recording: 06/1995 Venue: Doopsgezinde Church, Haarlem Language: German 26. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach Performer: Markus Schäfer (Tenor), Harry Van der Kamp (Bass), Michael Sapara (Alto) Conductor: Gustav Leonhardt Orchestra/Ensemble: Tölz Boys Choir, Baroque Orchestra Period: Baroque Written: after 1740; Leipzig, Germany Date of Recording: 06/1995 Venue: Doopsgezinde Church, Haarlem Language: German 27. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach Performer: Matthias Ritter (Boy Soprano), Jonas Will (Boy Alto), Harry Van der Kamp (Bass), Markus Schäfer (Tenor) Conductor: Gustav Leonhardt Orchestra/Ensemble: Tölz Boys Choir, Baroque Orchestra Period: Baroque Written: 1725; Leipzig, Germany Date of Recording: 06/1995 Venue: Doopsgezinde Church, Haarlem Language: German 28. Singet Dem Hern, BWV 225 by Johann Sebastian Bach Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Orchestra, Stuttgart Chamber Choir Date of Recording: 1989 Venue: Evangelische Kirche, Grönningen, Germany 29. Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Orchestra, Stuttgart Chamber Choir Period: Baroque Written: 1729; Leipzig, Germany 30. Jesu, meine Freude, BWV 227 by Johann Sebastian Bach Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Orchestra, Stuttgart Chamber Choir Period: Baroque Written: 1723; Leipzig, Germany 31. Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Orchestra, Stuttgart Chamber Choir Period: Baroque Written: 1726; Leipzig, Germany 32. Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Orchestra, Stuttgart Chamber Choir Period: Baroque Written: circa 1725-1749; Leipzig, Germany 33. Concerto for Piano no 1 in C major, Op. 15 by Ludwig van Beethoven Performer: Jos van Immerseel (Fortepiano) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1795; Vienna, Austria Date of Recording: 1995 Venue: Kurhaus Bad Tölz & K 34. Concerto for Piano no 2 in B flat major, Op. 19 by Ludwig van Beethoven Performer: Jos van Immerseel (Fortepiano) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1793/1798; Vienna, Austria Date of Recording: 1995 Venue: Kurhaus Bad Tölz & K 35. Concerto for Piano no 3 in C minor, Op. 37 by Ludwig van Beethoven Performer: Jos van Immerseel (Fortepiano) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1800; Vienna, Austria Date of Recording: 1996 Venue: Kurhaus Bad Tölz & K 36. Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven Performer: Jos van Immerseel (Fortepiano) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1806; Vienna, Austria Date of Recording: 1996 Venue: Kurhaus Bad Tölz & K 37. Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven Performer: Jos van Immerseel (Fortepiano) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1809; Vienna, Austria Date of Recording: 1997 Venue: Kurhaus Bad Tölz & K 38. Concerto for Violin in D major, Op. 61 by Ludwig van Beethoven Performer: Vera Beths (Violin) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1806; Vienna, Austria Date of Recording: 1997 Venue: Kurhaus Bad Tölz & K 39. Sextet for Strings no 1 in B flat major, Op. 18 by Johannes Brahms Performer: Anner Bylsma (Cello), Marilyn McDonald (Violin), Vera Beths (Violin), Jürgen Kussmaul (Viola), Guus Jeukendrup (Viola), Kenneth Slowik (Cello) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1859-1860; Germany Date of Recording: 06/1995 40. Sextet for Strings no 2 in G major, Op. 36 by Johannes Brahms Performer: Marilyn McDonald (Violin), Jürgen Kussmaul (Viola), Kenneth Slowik (Cello), Guus Jeukendrup (Viola), Vera Beths (Violin), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1864-1865; Austria Date of Recording: 06/1995 41. Missa "Et ecce terrae motus" by Antoine Brumel Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: France Date of Recording: 05/1990 Venue: Chapel, Irish College, Leuven, Belgium Length: 47 Minutes 37 Secs. Language: Latin 42. Dies irae by Antoine Brumel Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: France Date of Recording: 05/1990 Venue: Chapel, Irish College, Leuven, Belgium Length: 19 Minutes 11 Secs. Language: Latin 43. Lamentationes Jeremiae: Zum karmittwoch by Johann Rosenmüller Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: 17th Century Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 6 Minutes 40 Secs. Language: German 44. Wie bist du denn, o Gott by Johann Christoph Bach Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 12 Minutes 10 Secs. Language: German 45. Mein Herz ist bereit, BuxWV 73 by Dietrich Buxtehude Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 8 Minutes 18 Secs. Language: German 46. Ich bin der Auferstehung, BuxWV 44 by Dietrich Buxtehude Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 6 Minutes 3 Secs. Language: German 47. Kommet her zu mir alle by Matthias Weckmann Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: 1664; Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 7 Minutes 43 Secs. Language: German 48. Kleine geistliche Konzerte, Op. 9: Ich liege und schlafe, SWV 310 by Heinrich Schütz Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: by 1639; Dresden, Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 3 Minutes 27 Secs. Language: German 49. Symphoniae sacrae, Op. 6: Fili mi, Absalon, SWV 269 by Heinrich Schütz Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: 1629; Venice, Italy Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 6 Minutes 9 Secs. Language: Latin 50. Salve coelestis pater by Franz Tunder Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: 17th Century; Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 5 Minutes 34 Secs. Language: Latin 51. De profundis clamavi by Nicolaus Bruhns Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: ?1689-91; Germany Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 13 Minutes 21 Secs. Language: Latin 52. Lamentationes Jeremiae: Zum Gründonnerstag by Johann Rosenmüller Performer: Harry Van der Kamp (Bass) Orchestra/Ensemble: Period Instrument Ensemble Period: Baroque Written: 17th Century Date of Recording: 06/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 5 Minutes 32 Secs. Language: German 53. Ex illustri by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 54. Crucifigat omnes by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1200 55. O Maria, maris stella by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval 56. Ex agone sanguinis by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 57. Belial vocatur by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 58. Sanctus "Divinum misterium" by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 59. Agnus Dei "Exultet hec concio" by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 60. Benedicamus Domino by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1200 61. Flavit auster by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 62. Eva mater by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 63. Quis dabit capiti meo acquam by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 64. Casta catholica by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 65. Homo miserabilis by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 13th Century; Spain 66. Toccata by Giovanni Gabrieli Performer: Graham Nicholson (Trumpet), Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Cas Gevers (Tenor Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Alto Sackbut), Martin Lubenow (Trumpet), François Petit-Laurent (Trumpet), Sebastian Scharr (Trumpet) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 2 Minutes 41 Secs. 67. Symphoniae sacrae, liber secundus: Buccinate in neomenia tuba, 19vv by Giovanni Gabrieli Performer: Klaus Eichhorn (Organ), Hartwig Groth (Violone), Christoph Lehmann (Organ), Martin Lubenow (Organ), Peter Sommer (Bass Sackbut), Cas Gevers (Tenor Sackbut), Henning Plumeyer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Alto Sackbut), Arno Paduch (Alto Cornet), Hans-Peter Westermann (Cornett), François Petit-Laurent (Cornett), Wilfried Jochens (Tenor), David Cordier (Countertenor), Harry Van der Kamp (Bass), Lee Santana (Chitarrone), Richard Lister (Bass Sackbut), Wolfgang Katschner (Chitarrone) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Written: pub 1615 Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 32 Secs. Language: Latin 68. Canzoni et sonate (21): Canzon XVII a 12, C 210 by Giovanni Gabrieli Performer: William Dongois (Cornett), Volker Mühlberg (Violin), Henning Plumeyer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Hans-Peter Westermann (Cornett), Paolo Fanciullacci (Cornett), Richard Lister (Bass Sackbut), Martin Lubenow (Organ), Peter Sommer (Bass Sackbut), Christoph Lehmann (Organ), Klaus Eichhorn (Organ), Ghislaine Wauters (Violin), Michael Dücker (Chitarrone), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 43 Secs. 69. Il secondo libro de motetti: Heu mihi - Quid ploras by Alessandro Grandi Performer: Hartwig Groth (Viola da gamba), Christoph Lehmann (Organ), Hildegard Perl (Lirone), Lee Santana (Chitarrone), Harry Van der Kamp (Bass), Reinhard Dingel-Schulten (Countertenor), Gerd Türk (Countertenor), Wilfried Jochens (Tenor) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: by 1613; Ferrara, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 32 Secs. Language: Latin 70. Sonatas (6) "Concerti ecclesiastici": no 1 for Violin, Cello/Violone and Cornetto by Giovanni Paolo Cima Performer: Anette Sichelschmidt (Violin), Christoph Lehmann (Organ), Hartwig Groth (Violone), Roland Wilson (Cornett) Period: Baroque Written: by 1610; Milan, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 24 Secs. 71. O quam tu pulchra es by Alessandro Grandi Performer: Lee Santana (Chitarrone), David Cordier (Countertenor), Hildegard Perl (Lirone) Period: Baroque Written: by 1625; Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 20 Secs. Language: Latin 72. Dulcis Jesu patris imago by Giovanni Gabrieli Performer: Arno Paduch (Alto Cornet), Anette Sichelschmidt (Viola), Ghislaine Wauters (Viola), Martin Lubenow (Organ), Klaus Eichhorn (Organ), Christoph Lehmann (Organ), Hartwig Groth (Violone), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Richard Lister (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Peter Sommer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Hans-Peter Westermann (Cornett), Wilfried Jochens (Tenor), Matthias Sprinz (Tenor Sackbut), Raimund Fürst (Countertenor), William Dongois (Cornett), Paolo Fanciullacci (Cornett) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 53 Secs. Language: Latin 73. Canzon in echo a 12, C 192 by Giovanni Gabrieli Performer: William Dongois (Cornett), Ghislaine Wauters (Viola), Anette Sichelschmidt (Viola), Christoph Lehmann (Organ), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Arno Paduch (Cornett), Hans-Peter Westermann (Cornett), François Petit-Laurent (Cornett), Wilfried Jochens (Tenor), Roland Wilson (Cornett), Volker Mühlberg (Viola), Paolo Fanciullacci (Cornett) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 56 Secs. 74. Timor et Tremor by Giovanni Gabrieli Performer: Christoph Lehmann (Organ), Eric Mentzel (Countertenor), Reinhard Dingel-Schulten (Countertenor), Wilfried Jochens (Tenor), Harry Van der Kamp (Bass), Gerd Türk (Countertenor), David Cordier (Countertenor) Conductor: Roland Wilson Orchestra/Ensemble: La Capella Ducale Period: Renaissance Written: by 1615; Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 58 Secs. Language: Latin 75. Sonatas (6) "Concerti ecclesiastici": no 2 for Trombone and Cornetto by Giovanni Paolo Cima Performer: Christoph Lehmann (Organ), Henning Plumeyer (Bass Sackbut), Roland Wilson (Cornett) Period: Baroque Written: by 1610; Milan, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 13 Secs. 76. Il secondo libro de motetti: Cantemus Domino by Alessandro Grandi Performer: Wilfried Jochens (Tenor), Gerd Türk (Countertenor), Hans-Peter Westermann (Cornett), David Cordier (Countertenor), Ghislaine Wauters (Violin), Christoph Lehmann (Organ), Anette Sichelschmidt (Violin), Wolfgang Katschner (Theorbo), Lee Santana (Chitarrone) Period: Baroque Written: by 1617; Ferrara, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 28 Secs. Language: Latin 77. Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli Performer: Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut), Christoph Lehmann (Organ), Cas Gevers (Tenor Sackbut), Klaus Eichhorn (Organ), Martin Lubenow (Organ), Irmelin Heiseke (Viola da gamba), Richard Lister (Bass Sackbut), Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Hartwig Groth (Viola da gamba), Volker Mühlberg (Violin), Ghislaine Wauters (Violin), Anette Sichelschmidt (Violin), Hildegard Perl (Viola da gamba) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 43 Secs. 78. In Ecclesiis a 14, C. 78 by Giovanni Gabrieli Performer: Martin Lubenow (Organ), Irmelin Heiseke (Violone), Klaus Eichhorn (Organ), Richard Lister (Bass Sackbut), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Hartwig Groth (Violone), Henning Plumeyer (Bass Sackbut), Cas Gevers (Tenor Sackbut), Gerd Türk (Countertenor), David Cordier (Countertenor), Wilfried Jochens (Tenor), François Petit-Laurent (Cornett), Hans-Peter Westermann (Cornett), Arno Paduch (Alto Cornet), Rufus Müller (Tenor), Anette Sichelschmidt (Viola), Detlef Reimers (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), William Dongois (Cornett), Christoph Lehmann (Organ) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 7 Minutes 20 Secs. Language: Latin 79. Canzoni et sonate (21): Canzon V a 7 by Giovanni Gabrieli Performer: Wolfgang Katschner (Chitarrone), Christoph Lehmann (Organ), François Petit-Laurent (Cornett), Roland Wilson (Cornett), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut), Arno Paduch (Cornett), Detlef Reimers (Tenor Sackbut), Lee Santana (Chitarrone), Ghislaine Wauters (Viola), Anette Sichelschmidt (Viola) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 24 Secs. 80. Jubilate Deo a 10 by Giovanni Gabrieli Performer: Klaus Eichhorn (Organ), Stephen Grant (Bass), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Christian Walter (Bass Dulcian), Eric Mentzel (Countertenor), Ole Andersen (Tenor Sackbut), David Cordier (Countertenor), Wilfried Jochens (Tenor), Henning Plumeyer (Bass Sackbut), Gerd Türk (Countertenor), Raimund Fürst (Countertenor), Paolo Fanciullacci (Cornett), François Petit-Laurent (Cornett), Yuji Fujimoto (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Christoph Lehmann (Organ), Reinhard Dingel-Schulten (Countertenor), Martin Lubenow (Organ), Harry Van der Kamp (Bass) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: 1615; Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 24 Secs. Language: Latin 81. Motetti con sinfonie, libro terzo: Salvum me fac, Deus by Alessandro Grandi Performer: Harry Van der Kamp (Bass), Lee Santana (Chitarrone), Christoph Lehmann (Organ) Period: Baroque Written: by 1629; Bergamo, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 32 Secs. Language: Latin 82. Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli Performer: Klaus Eichhorn (Organ), Matthias Sprinz (Tenor Sackbut), Peter Sommer (Tenor Sackbut), Robin Schwerdtfeger (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Arno Paduch (Alto Cornet), Wolfgang Katschner (Chitarrone), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Ole Andersen (Tenor Sackbut), Henning Plumeyer (Bass Sackbut), Cas Gevers (Tenor Sackbut), William Dongois (Cornett), Paolo Fanciullacci (Cornett), Irmelin Heiseke (Violone), Martin Lubenow (Organ), Christoph Lehmann (Organ), Hartwig Groth (Violone), Hans-Peter Westermann (Cornett), Lee Santana (Chitarrone), Richard Lister (Bass Sackbut) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 6 Minutes 15 Secs. 83. Cantate Domino by Giovanni Gabrieli Performer: Lee Santana (Chitarrone), Christoph Lehmann (Organ), Harry Van der Kamp (Bass), Wilfried Jochens (Tenor), Raimund Fürst (Countertenor), Stephen Grant (Bass), David Cordier (Countertenor), Reinhard Dingel-Schulten (Countertenor), Gerd Türk (Countertenor), Gundula Anders (Soprano), Klaus Eichhorn (Organ) Conductor: Roland Wilson Orchestra/Ensemble: La Capella Ducale Period: Renaissance Written: by 1597; Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 2 Secs. Language: Latin 84. Sonatas (6) "Concerti ecclesiastici": no 3 for Violin and Cello by Giovanni Paolo Cima Performer: Christoph Lehmann (Organ), Hartwig Groth (Violone), Anette Sichelschmidt (Violin) Period: Baroque Written: by 1610; Milan, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 27 Secs. 85. Misericordia tua Domine by Giovanni Gabrieli Performer: Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Richard Lister (Bass Sackbut), Michael Dücker (Chitarrone), Sebastian Krause (Tenor Sackbut), Cas Gevers (Tenor Sackbut), Christoph Lehmann (Organ), Martin Lubenow (Organ), Yuji Fujimoto (Tenor Sackbut), Detlef Reimers (Tenor Sackbut), Wilfried Jochens (Tenor), Gerd Türk (Countertenor), David Cordier (Countertenor), Ole Andersen (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut), Klaus Eichhorn (Organ) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 6 Secs. Language: Latin 86. Sacrae symphoniae, Book 1: Canzon primi toni a 10 by Giovanni Gabrieli Performer: Matthias Sprinz (Tenor Sackbut), Arno Paduch (Cornett), Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Klaus Eichhorn (Organ), Ole Andersen (Tenor Sackbut), Hans-Peter Westermann (Cornett), Sebastian Krause (Tenor Sackbut), François Petit-Laurent (Cornett), Yuji Fujimoto (Tenor Sackbut), William Dongois (Cornett) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: by 1597; Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 6 Secs. 87. Canzoni et sonate (21): Canzon X a 8 by Giovanni Gabrieli Performer: Klaus Eichhorn (Organ), Christoph Lehmann (Organ), Hartwig Groth (Viola da gamba), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Detlef Reimers (Tenor Sackbut), Arno Paduch (Alto Cornet), François Petit-Laurent (Cornett), Roland Wilson (Cornett), Volker Mühlberg (Viola), Ghislaine Wauters (Violin), Anette Sichelschmidt (Violin) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 15 Secs. 88. O sacrum convivium by Bartolomeo Barbarino Performer: Gerd Türk (Countertenor), Lee Santana (Chitarrone) Period: Renaissance Written: 1590s; Urbino, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 2 Minutes 33 Secs. Language: Latin 89. Toccata del primo tono by Giovanni Gabrieli Performer: Christoph Lehmann (Organ) Period: Renaissance Written: Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 11 Secs. 90. Magnificat a 33 by Giovanni Gabrieli Performer: David Cordier (Countertenor), Wilfried Jochens (Tenor), Edmund Brownless (Countertenor), Werner Buchin (Countertenor), Gerd Türk (Countertenor) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 25 Secs. Language: Latin 91. Symphoniae sacrae, Book 2: Benedictus es, Dominus by Giovanni Gabrieli Performer: Klaus Eichhorn (Organ), Christoph Lehmann (Organ), Lee Santana (Chitarrone), Henning Plumeyer (Bass Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), François Petit-Laurent (Alto Cornet), Roland Wilson (Cornett), Arno Paduch (Alto Cornet), Volker Mühlberg (Violin), David Cordier (Countertenor), Wolfgang Katschner (Chitarrone), Gerd Türk (Countertenor) Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 32 Secs. Language: Latin 92. Salve, O regina by Claudio Monteverdi Performer: Wilfried Jochens (Tenor), Christoph Lehmann (Organ), Lee Santana (Chitarrone) Period: Baroque Written: by 1624; Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 5 Minutes 2 Secs. Language: Latin 93. Capricci a 2 stromenti cioè tiorba e tiorbino e per sonar solo: Capriccio detto svegliatoio by Bellerofonte Castaldi Performer: Lee Santana (Chitarrone), Wolfgang Katschner (Theorbo) Period: Baroque Written: by 1622; Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 3 Minutes 11 Secs. 94. Canzoni et sonate (21): Sonata XXI con tre violoni by Giovanni Gabrieli Performer: Volker Mühlberg (Violin), Anette Sichelschmidt (Violin), Christoph Lehmann (Organ), Lee Santana (Chitarrone), Ghislaine Wauters (Violin), Hartwig Groth (Viola da gamba) Period: Renaissance Written: Venice, Italy Date of Recording: 06/1994 Venue: St. Osdag Church, Mandelsloh, Germany Length: 4 Minutes 8 Secs. 95. Concerto for Flute in G major, Op. 29 by Carl Stamitz Performer: Barthold Kuijken (Flute) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: Germany Date of Recording: 01/1991 Venue: Centre In The Square, Kitchener, Canada 96. Concerto for Flute in E minor by Franz Xaver Richter Performer: Barthold Kuijken (Flute) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Date of Recording: 01/1991 Venue: Centre In The Square, Kitchener, Canada 97. Concerto for Flute in G major by Johann Wenzel Stamitz Performer: Barthold Kuijken (Flute) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Date of Recording: 01/1991 Venue: Centre In The Square, Kitchener, Canada 98. Concerto for Flute in D major, H 7f no D1 by Franz Joseph Haydn Performer: Barthold Kuijken (Flute) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Date of Recording: 01/1991 Venue: Centre In The Square, Kitchener, Canada 99. Orfeo ed Euridice: Dance of the Blessed Spirits by Christoph W. Gluck Performer: Claire Guimond (Flute) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1762/1774; Vienna, Austria Date of Recording: 01/1991 Venue: Centre In The Square, Kitchener, Canada 100. Pièces de viole: Suite no 3 in D major by Antoine Forqueray Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: France Date of Recording: 09/1991 Venue: Lutherse Kerk, Haarlem, Netherlands Length: 22 Minutes 25 Secs. 101. Pièces de viole: Suite no 4 in G minor by Antoine Forqueray Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: France Date of Recording: 09/1991 Venue: Lutherse Kerk, Haarlem, Netherlands Length: 26 Minutes 57 Secs. 102. Pièces de clavecin, Book 3: Ordre 17 in E minor - La superbe ou la Forqueray by François Couperin Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: by 1722; Paris, France Date of Recording: 09/1991 Venue: Lutherse Kerk, Haarlem, Netherlands Length: 4 Minutes 49 Secs. 103. Pièces de clavecin, Book 3: no 1, La Forqueray by Jacques Duphly Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: by 1756; France Date of Recording: 09/1991 Venue: Lutherse Kerk, Haarlem, Netherlands Length: 6 Minutes 14 Secs. 104. Concerti grossi (6), Op. 2: no 3 in D minor by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 6 Minutes 45 Secs. 105. Concerti grossi (6), Op. 2: no 1 in C minor by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 6 Minutes 59 Secs. 106. Concerti grossi (6), Op. 2: no 6 in A major by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 6 Minutes 20 Secs. 107. Concerti grossi (6), Op. 2: no 2 in C minor by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 8 Minutes 47 Secs. 108. Concerti grossi (6), Op. 2: no 4 in D major by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 6 Minutes 22 Secs. 109. Concerti grossi (6), Op. 2: no 5 in D minor by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1732; England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 6 Minutes 27 Secs. 110. Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 3 in C major by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: by 1726; London, England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 9 Minutes 23 Secs. 111. Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: by 1726; London, England Date of Recording: 04/1990 Venue: Notre Dame Convent, Waterdown, Canada Length: 7 Minutes 53 Secs. 112. Orfeo ed Euridice by Christoph W. Gluck Performer: Michael Chance (Countertenor), Stefan Beckerbauer (Boy Soprano), Nancy Argenta (Soprano) Conductor: Frieder Bernius Orchestra/Ensemble: Tafelmusik Baroque Orchestra, Stuttgart Chamber Choir Period: Classical Written: 1762/1774; Vienna, Austria Date of Recording: 1992 Length: 83 Minutes 0 Secs. Language: French 113. Don Juan by Christoph W. Gluck Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1761; Vienna, Austria Date of Recording: 02/1992 Venue: Centre in the Square, Kitchener, Ontario Length: 43 Minutes 22 Secs. 114. Semiramis by Christoph W. Gluck Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1765; Vienna, Austria Date of Recording: 02/1992 Venue: Centre in the Square, Kitchener, Ontario Length: 20 Minutes 30 Secs. 115. Missa Sancti Bernardi von Offida, H 22 no 10 "Heiligmesse" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: 1796; Vienna, Austria 116. Mare Clausum, H 24a no 9 (Fragment) by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra 117. Insanae et vanae curae, B 8 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: by 1798; Vienna, Austria 118. Lauda Sion, H 23c no 5 "Hymnus de venerabili Sacramento" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: circa ?1750; Austria 119. Te Deum in C major, H 23c no 2 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: by 1800; Vienna, Austria 120. Mass in B flat major, H 22 no 12 "Theresien-Messe" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: 1799; Vienna, Austria 121. Mass in D minor, H 22 no 11 "Nelsonmesse" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: 1798; Vienna, Austria 122. Missa in tempore belli, H 22 no 9 "Paukenmesse" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: 1796; Vienna, Austria 123. Salve Regina in G minor, H 23b no 2 "Organ solo" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra Period: Classical Written: 1771; Eszterhazá, Hungary 124. O coelitum beati, H 23a no G9 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tölz Boys Choir, Tafelmusik Baroque Orchestra 125. Symphony no 82 in C major, H 1 no 82 "The Bear" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1786; Eszterhazá, Hungary 126. Symphony no 83 in G minor, H 1 no 83 "The Hen" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1785; Eszterhazá, Hungary 127. Symphony no 84 in E flat major, H 1 no 84 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1786; Eszterhazá, Hungary 128. Symphony no 85 in B flat major, H 1 no 85 "La Reine" by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: ?1785; Eszterhazá, Hungary 129. Symphony no 86 in D major, H 1 no 86 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1786; Eszterhazá, Hungary 130. Symphony no 87 in A major, H 1 no 87 by Franz Joseph Haydn Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1785; Eszterhazá, Hungary 131. Passacaglia for Keyboard in D minor by Johann Kaspar Kerll Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 17th Century; Germany Venue: Prämonstratenserstift, Schlägl, Austria 132. Libro quarto di toccate: Ricercare no 2 in G minor by Johann Jacob Froberger Performer: Gustav Leonhardt (Organ) Period: Baroque Written: by 1656; Germany Venue: Prämonstratenserstift, Schlägl, Austria 133. Chaconne(s) by Johann Caspar Fischer Performer: Gustav Leonhardt (Organ) Period: Baroque Written: Salzburg, Austria Venue: Prämonstratenserstift, Schlägl, Austria 134. Toccata no 4 in D minor by Johann Speth Performer: Gustav Leonhardt (Organ) Period: Baroque Written: Germany Venue: Prämonstratenserstift, Schlägl, Austria 135. Wir glauben all' an einen Gott by Johann Pachelbel Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 1693; Germany Venue: Prämonstratenserstift, Schlägl, Austria 136. Aria con Variazoni in F by Johann Pachelbel Performer: Gustav Leonhardt (Organ) Period: Baroque Written: Germany Venue: Prämonstratenserstift, Schlägl, Austria 137. Toccata for Organ no 1 in D minor by Gottlieb Muffat Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 18th Century; Vienna, Austria Venue: Prämonstratenserstift, Schlägl, Austria 138. Toccata for Organ in G major by Jakob Hassler Performer: Gustav Leonhardt (Organ) Period: Renaissance Venue: Klosterneuberg, Austria 139. Canzona im 4 toni by Christian Erbach Performer: Gustav Leonhardt (Organ) Period: Renaissance Written: Germany Venue: Klosterneuberg, Austria 140. Toccata no 1 in D major by Johann Speth Performer: Gustav Leonhardt (Organ) Period: Baroque Written: Germany Venue: Klosterneuberg, Austria 141. Ricercar for Keyboard in D minor by Alessandro Poglietti Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 17th Century; Austria Venue: Klosterneuberg, Austria 142. Canzona for Organ no 5 by Johann Kaspar Kerll Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 17th Century; Germany Venue: Klosterneuberg, Austria 143. Toccata for Organ in C major by Johann Pachelbel Performer: Gustav Leonhardt (Organ) Period: Baroque Written: Germany Venue: Klosterneuberg, Austria 144. Hexachordum Apollinis: no 6, Aria Sebaldina for Organ in F minor by Johann Pachelbel Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 1699; Germany Venue: Klosterneuberg, Austria 145. Toccata for Organ no 5 in C minor by Gottlieb Muffat Performer: Gustav Leonhardt (Organ) Period: Baroque Written: 18th Century; Germany Venue: Klosterneuberg, Austria 146. Lagrime di San Pietro by Orlando de Lassus Conductor: Erik Van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century Length: 62 Minutes 44 Secs. Language: Latin 147. German Dances (6), K 509 by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1787; Prague, Czech Republ 148. German Dances (6), K 536 by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1788; Vienna, Austria 149. German Dances (6), K 571 by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1789; Vienna, Austria 150. German Dances (12), K 586 by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1789; Vienna, Austria 151. Eine musikalischer Spass, K 522 by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn), Vera Beths (Violin), Jürgen Kussmaul (Viola), Anner Bylsma (Cello), Lucy Van Dael (Violin), Anthony Woodrow (Double Bass), Knut Hasselmann (French Horn) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1787; Vienna, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 18 Minutes 23 Secs. 152. Quintet for Horn, Violin, 2 Violas and Cello in E flat major, K 407 (386c) by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn), Vera Beths (Violin), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1782; Vienna, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 17 Minutes 23 Secs. 153. March in D major, K 445 (320c) by Wolfgang Amadeus Mozart Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1780; Salzburg, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 2 Minutes 30 Secs. 154. March in F major, K 248 by Wolfgang Amadeus Mozart Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1776; Salzburg, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 4 Minutes 28 Secs. 155. March in D major, K 290 (167AB) by Wolfgang Amadeus Mozart Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1772; Salzburg, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 3 Minutes 26 Secs. 156. Duos (12) for 2 Horns, K 487 (496a): no 5, Larghetto by Wolfgang Amadeus Mozart Performer: Knut Hasselmann (French Horn), Ab Koster (French Horn) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1785; Berlin, Germany Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 1 Minutes 19 Secs. 157. Duos (12) for 2 Horns, K 487 (496a): no 2, Menuetto by Wolfgang Amadeus Mozart Performer: Knut Hasselmann (French Horn), Ab Koster (French Horn) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1785; Vienna, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 2 Minutes 32 Secs. 158. Duos (12) for 2 Horns, K 487 (496a): no 10, Andante by Wolfgang Amadeus Mozart Performer: Knut Hasselmann (French Horn), Ab Koster (French Horn) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1785; Vienna, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 1 Minutes 15 Secs. 159. Duos (12) for 2 Horns, K 487 (496a): no 8, Allegro by Wolfgang Amadeus Mozart Performer: Knut Hasselmann (French Horn), Ab Koster (French Horn) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1785; Vienna, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 1 Minutes 28 Secs. 160. Allegro for 2 Horns, Violin, Viola and Double Bass in F major, K 288 (246c) [Fragment] by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn), Knut Hasselmann (French Horn), Jürgen Kussmaul (Viola), Vera Beths (Violin), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1776; Salzburg, Austria Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 2 Minutes 27 Secs. 161. Divertimento for 2 Horns and Strings in D major, K 246b (320B) [Fragment] by Wolfgang Amadeus Mozart Performer: Knut Hasselmann (French Horn), Ab Koster (French Horn), Vera Beths (Violin), Jürgen Kussmaul (Viola), Lucy Van Dael (Violin), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1772-1773 Date of Recording: 05/1990 Venue: Lutherse Kerk, Haarlem, The Netherlands Length: 1 Minutes 22 Secs. 162. Idomeneo, K 366: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1781; Munich, Germany 163. Le nozze di Figaro, K 492: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1786; Vienna, Austria 164. Don Giovanni, K 527: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1787; Prague, Czech Republ 165. Così fan tutte, K 588: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1790; Vienna, Austria 166. La clemenza di Tito, K 621: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1791; Prague, Czech Republ 167. Die Entführung aus dem Serail, K 384: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1782; Vienna, Austria 168. Die Zauberflöte, K 620: Overture by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1791; Vienna, Austria 169. Serenade no 13 in G major, K 525 "Eine kleine Nachtmusik" by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1787; Vienna, Austria 170. Cassation in D major, K 100 (62a) by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1769; Salzburg, Austria Venue: Centre In The Square, Kitchener, Canada 171. Serenade no 4 in D major, K 203 (189b) by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1774; Salzburg, Austria Venue: Centre In The Square, Kitchener, Canada 172. Serenade no 7 in D major, K 250 (248b) "Haffner" by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1776; Salzburg, Austria Venue: Centre In The Square, Kitchener, Canada 173. Serenade no 3 in D major, K 185 (167a) by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1773; Vienna, Austria Venue: Centre In The Square, Kitchener, Canada 174. Serenade no 5 in D major, K 204 (213a) by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1775; Salzburg, Austria Venue: Centre In The Square, Kitchener, Canada 175. Serenade no 9 in D major, K 320 "Posthorn" by Wolfgang Amadeus Mozart Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1779; Salzburg, Austria Venue: Centre In The Square, Kitchener, Canada 176. Concerto for Horn no 2 in E flat major, K 417 by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1783; Vienna, Austria Date of Recording: 09/1992 Venue: Doopsgezinde Church, Haarlem, Netherland Length: 13 Minutes 45 Secs. 177. Concerto for Horn no 3 in E flat major, K 447 by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1784-1787; Vienna, Austria Date of Recording: 09/1992 Venue: Doopsgezinde Church, Haarlem, Netherland Length: 16 Minutes 22 Secs. 178. Concerto for Horn no 4 in E flat major, K 495 by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1786; Vienna, Austria Date of Recording: 09/1992 Venue: Doopsgezinde Church, Haarlem, Netherland Length: 17 Minutes 22 Secs. 179. Concerto for Horn no 1 in D major, K 412 (386b) by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1791; Vienna, Austria Date of Recording: 05/1993 Venue: Glenn Gould Studio, Toronto, Canada Length: 8 Minutes 57 Secs. 180. Rondo for Horn and Orchestra in E flat major, K 371 by Wolfgang Amadeus Mozart Performer: Ab Koster (French Horn) Conductor: Bruno Weil Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Classical Written: 1781; Vienna, Austria 181. Quintet for 2 Violins, 2 Violas and Cello no 3 in C major, K 515 by Wolfgang Amadeus Mozart Performer: Vera Beths (Violin), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola), Gijs Beths (Viola), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1787; Vienna, Austria 182. Quintet for 2 Violins, 2 Violas and Cello no 4 in G minor, K 516 by Wolfgang Amadeus Mozart Performer: Anner Bylsma (Cello), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola), Gijs Beths (Viola), Vera Beths (Violin) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1787; Vienna, Austria 183. Sonata for Piano no 14 in C minor, K 457 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1784; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 19 Minutes 41 Secs. 184. Fantasy for Piano in C minor, K 475 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1785; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 12 Minutes 11 Secs. 185. Minuet for Piano in D major, K 355 (576b) by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1786-1787; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 3 Minutes 2 Secs. 186. Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1786; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 6 Minutes 49 Secs. 187. Sonata for Piano no 15 in F major, K 533 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1788; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 23 Minutes 48 Secs. 188. Fantasia for Piano in D minor, K 397 (385g) by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1782; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 5 Minutes 36 Secs. 189. Rondo for Piano no 3 in A minor, K 511 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1787; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 10 Minutes 48 Secs. 190. Sonata for Piano no 16 in C major, K 545 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1788; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 7 Minutes 52 Secs. 191. Adagio for Piano in B minor, K 540 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1788; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 6 Minutes 47 Secs. 192. Sonata for Piano no 17 in B flat major, K 570 by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1789; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 18 Minutes 21 Secs. 193. Sonata for Piano no 18 in D major, K 576 "Hunt" by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1789; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 14 Minutes 16 Secs. 194. Fantasia for Piano in C minor, K 396 (385f) by Wolfgang Amadeus Mozart Performer: Jos van Immerseel (Fortepiano) Period: Classical Written: 1782; Vienna, Austria Date of Recording: 1996 Venue: Lutheran Church, Haarlem, Netherlands Length: 8 Minutes 0 Secs. 195. Quintet for Strings no 1 in A major, Op. 18 by Felix Mendelssohn Performer: Lucy Van Dael (Violin), Vera Beths (Violin), Jürgen Kussmaul (Viola), Guus Jeukendrup (Viola), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1826/1832; Germany Date of Recording: 02/1999 Venue: Lutheran Church, Haarlem, Netherlands 196. Quintet for Strings no 2 in B flat major, Op. 87 by Felix Mendelssohn Performer: Anner Bylsma (Cello), Guus Jeukendrup (Viola), Jürgen Kussmaul (Viola), Lucy Van Dael (Violin), Vera Beths (Violin) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1845; Germany Date of Recording: 02/1999 Venue: Lutheran Church, Haarlem, Netherlands 197. Octet for Strings in E flat major, Op. 20 by Felix Mendelssohn Performer: Lisa Rautenberg (Violin), Vera Beths (Violin), Kenneth Slowik (Cello), Jody Gatwood (Violin), Gijs Beths (Violin), Steven Dann (Viola), David Cerutti (Viola), Anner Bylsma (Cello) Orchestra/Ensemble: L'Archibudelli, Smithsonian Chamber Players Period: Romantic Written: 1825; Germany Date of Recording: 01/1986 Venue: Festeburg-Kirche, Frankfurt Length: 30 Minutes 9 Secs. 198. Octet for Strings in F major, Op. 17 by Niels Gade Performer: Gijs Beths (Violin), Jody Gatwood (Violin), Lisa Rautenberg (Violin), Steven Dann (Viola), David Cerutti (Viola), Anner Bylsma (Cello), Vera Beths (Violin), Kenneth Slowik (Cello) Orchestra/Ensemble: L'Archibudelli, Smithsonian Chamber Players Period: Romantic Written: 1848; Denmark Date of Recording: 01/1986 Venue: Festeburg-Kirche, Frankfurt Length: 28 Minutes 34 Secs. 199. Historia, der freuden und gnadenreichen Geburth...Die Geburt unsers Herren Jesu Christi, SWV 435 by Heinrich Schütz Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Ensemble, Cologne Musica Fiata, Stuttgart Chamber Choir Period: Baroque Written: 1664; Germany Date of Recording: 05/1990 Venue: Evangelische Kirche, Gönningen Length: 31 Minutes 39 Secs. 200. Die Auferstehung unsres Herren Jesu Christ, Op. 3/SWV 50 by Heinrich Schütz Conductor: Frieder Bernius Orchestra/Ensemble: Stuttgart Baroque Ensemble, Cologne Musica Fiata, Stuttgart Chamber Choir Period: Baroque Written: 1623-1627; Germany Date of Recording: 05/1990 Venue: Evangelische Kirche, Gönningen Length: 39 Minutes 31 Secs. 201. Symphoniae sacrae, Op. 10: Freuet euch des Herrn, SWV 367 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 202. Symphoniae sacrae, Op. 10: Hütet euch, dass eure Herzen, SWV 351 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 203. Symphoniae sacrae, Op. 10: Was betrübst du dich, SWV 353 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 204. Symphoniae sacrae, Op. 10: Mein Seele erhebt..., SWV 344 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 205. Symphoniae sacrae, Op. 10: Von Aufgang der Sonnen, SWV 362 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 206. Symphoniae sacrae, Op. 10: Der Herr ist meine Stärke, SWV 345 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 207. Symphoniae sacrae, Op. 10: Drei schöne Dinge seind, SWV 365 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 208. Symphoniae sacrae, Op. 10: Ich danke dir, Herr..., SWV 347 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 209. Symphoniae sacrae, Op. 10: Wie ein Rubin in feinem, SWV 357 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 210. Symphoniae sacrae, Op. 10: Zweierlei bitte ich..., SWV 360 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 211. Symphoniae sacrae, Op. 10: Frohlocket mit Händen, SWV 349 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 212. Symphoniae sacrae, Op. 10: Es steh Gott auf, SWV 356 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 213. Symphoniae sacrae, Op. 10: Herr, nun lässet du deinen Diener, SWV 352 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 214. Symphoniae sacrae, Op. 10: Mein Herz ist bereit, SWV 341 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 215. Symphoniae sacrae, Op. 10: Die, so ihr den Herren..., SWV 364 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 216. Symphoniae sacrae, Op. 10: Lobet den Herrn in seinem Heiligtum, SWV 350 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 217. Symphoniae sacrae, Op. 10: Iss dein Brot mit Freuden, SWV 358 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 218. Symphoniae sacrae, Op. 10: Der Herr ist mein Licht, SWV 359 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 219. Symphoniae sacrae, Op. 10: Herzlich lieb hab ich dich, o Herr, SWV 348 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 220. Symphoniae sacrae, Op. 10: Herr, neige dein Himmel, SWV 361 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 221. Symphoniae sacrae, Op. 10: Singet dem Herren, SWV 342 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 222. Symphoniae sacrae, Op. 10: Von Gott will..., SWV 366 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 223. Symphoniae sacrae, Op. 10: Lobet den Herrn..., SWV 363 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 224. Symphoniae sacrae, Op. 10: Herr, unser Herrscher, SWV 343 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 225. Symphoniae sacrae, Op. 10: Verleih uns Frieden..., SWV 354 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 226. Symphoniae sacrae, Op. 10: Gib unserm Fürsten, SWV 355 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 227. Symphoniae sacrae, Op. 10: Ich werde nicht sterben, SWV 346 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: 1647; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 228. Vater Abraham, erbarme dich mein, SWV 477 by Heinrich Schütz Conductor: Roland Wilson Orchestra/Ensemble: Cologne Musica Fiata, La Capella Ducale Period: Baroque Written: by 1664; Germany Venue: St. Amandus Church, Cologne, Germany Language: German 229. Quintet for 2 Violins, Viola and 2 Cellos in F minor, Op 42 no 1/G 348 by Luigi Boccherini Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1789; Spain 230. Quintet for 2 Violins, Viola and 2 Cellos in C major, Op. 42 no 2/G 349 by Luigi Boccherini Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1789; Spain 231. Stabat mater in G minor, Op. 61/G 532 by Luigi Boccherini Performer: Roberta Invernizzi (Soprano) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: 1781; Spain 232. Mass no 1 in F major, D 105 by Franz Schubert Performer: Alexander Nader (Boy Soprano), Thomas Puchegger (Boy Soprano), Georg Leskovich (Boy Alto), Arno Hartmann (Organ), Harry Van der Kamp (Bass), Kurt Azesberger (Tenor), Jörg Hering (Tenor) Conductor: Bruno Weil Orchestra/Ensemble: Chorus Viennensis, Orchestra of the Age of Enlightenment, Vienna Boys' Choir Period: Romantic Written: 1814; Vienna, Austria Date of Recording: 09/1995 Venue: Casino Zögernitz, Vienna, Austria Language: Latin 233. Mass no 2 in G major, D 167 by Franz Schubert Performer: Harry Van der Kamp (Bass), Thomas Puchegger (Boy Soprano), Arno Hartmann (Organ), Jörg Hering (Tenor) Conductor: Bruno Weil Orchestra/Ensemble: Chorus Viennensis, Orchestra of the Age of Enlightenment, Vienna Boys' Choir Period: Romantic Written: 1815; Vienna, Austria Date of Recording: 09/1995 Venue: Casino Zögernitz, Vienna, Austria Language: Latin 234. Mass no 3 in B flat major, D 324/Op. 141 by Franz Schubert Performer: Georg Leskovich (Boy Alto), Alexander Nader (Boy Soprano), Jörg Hering (Tenor), Harry Van der Kamp (Bass), Arno Hartmann (Organ) Conductor: Bruno Weil Orchestra/Ensemble: Chorus Viennensis, Orchestra of the Age of Enlightenment, Vienna Boys' Choir Period: Romantic Written: 1815; Vienna, Austria Date of Recording: 09/1995 Venue: Casino Zangernitz, Vienna, Austria Length: 27 Minutes 41 Secs. Language: Latin 235. Mass no 4 in C major, D 452/Op. 48 by Franz Schubert Performer: Harry Van der Kamp (Bass), Thomas Puchegger (Boy Soprano), Belà Fischer (Boy Alto), Jörg Hering (Tenor), Arno Hartmann (Organ) Conductor: Bruno Weil Orchestra/Ensemble: Chorus Viennensis, Orchestra of the Age of Enlightenment, Vienna Boys' Choir Period: Romantic Written: 1816; Vienna, Austria Date of Recording: 09/1995 Venue: Casino Zangernitz, Vienna, Austria Length: 21 Minutes 19 Secs. Language: Latin 236. Mass no 6 in E flat major, D 950 by Franz Schubert Performer: Harry Van der Kamp (Bass), Albin Lenzer (Boy Alto), Benjamin Schmidinger (Boy Soprano), Kurt Azesberger (Tenor) Conductor: Bruno Weil Orchestra/Ensemble: Chorus Viennensis, Orchestra of the Age of Enlightenment, Vienna Boys' Choir Period: Romantic Written: 1828; Vienna, Austria 237. Le nozze di Figaro, K 492: Harmonie arrangements by Wolfgang Amadeus Mozart Performer: Charles Neidich (Clarinet) Orchestra/Ensemble: Mozzafiato Period: Classical Written: 1786; Vienna, Austria 238. Il barbiere di Siviglia: Harmonie arrangements by Gioachino Rossini Performer: Charles Neidich (Clarinet) Orchestra/Ensemble: Mozzafiato Period: Romantic Written: 1816; Italy 239. Quintet for 2 Clarinets, 2 Horns and Bassoon in F major "Harmoniemusik" by Gioachino Rossini Performer: Charles Neidich (Clarinet) Orchestra/Ensemble: Mozzafiato Period: Romantic Written: Italy Date of Recording: 1992 Venue: American Academy of Arts & Letters, NYC Length: 13 Minutes 28 Secs. 240. Sonata for Flute and Basso Continuo in E minor by Frederick the Great Performer: Bob van Asperen (Harpsichord), Barthold Kuijken (Flute) Period: Classical Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 7 Minutes 31 Secs. 241. Sonata for Flute and Basso Continuo in G major by Carl Heinrich Graun Performer: Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute) Period: Baroque Written: 18th Century; Germany Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 9 Minutes 25 Secs. 242. Sonata for Flute and Basso Continuo in G major by Johann Philipp Kirnberger Performer: Barthold Kuijken (Flute), Bob van Asperen (Harpsichord), Wieland Kuijken (Cello) Period: Baroque Written: 18th Century; Germany Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 7 Minutes 51 Secs. 243. Sonata for Flute and Basso Continuo in D major by Johann Gottfried Müthel Performer: Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute) Period: Classical Written: 18th Century; Germany Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 12 Minutes 48 Secs. 244. Sonata for flute (or violin) & continuo in E minor, L. III-57 by Franz Benda Performer: Barthold Kuijken (Flute), Wieland Kuijken (Cello), Bob van Asperen (Harpsichord) Period: Classical Written: 1756 245. Sonata in C major by Johann Gottlieb Graun Performer: Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute) Period: Baroque Written: 18th Century; Germany Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 8 Minutes 18 Secs. 246. Sonata for Flute and Basso Continuo no 275 in B flat major, QV 1 no 161 by Johann Joachim Quantz Performer: Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute) Period: Baroque Written: 18th Century; Germany Date of Recording: 03/1995 Venue: Baptist Church, Haarlem, Netherlands Length: 9 Minutes 23 Secs. 247. Toccata for Harpsichord in E minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 248. Tombeau sur la mort de Monsieur Blancrocher, FbWV 632 by Johann Jacob Froberger Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: by 1652; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 249. Libro quarto di toccate: Suite no 7 in E minor by Johann Jacob Froberger Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: by 1656; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 250. Libro di capricci e ricercate: Capriccio no 12 in C/G by Johann Jacob Froberger Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: circa 1658; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 251. Libro quarto di toccate: Ricercare no 5 in D minor by Johann Jacob Froberger Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: by 1656; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 252. Suite for Keyboard no 3 in B minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 253. Suite for Keyboard no 1 in D minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 254. Suite for Keyboard no 2 in C minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 255. Canzon for Keyboard no 4 in C major by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 256. Toccata for Harpsichord no 1 in D minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 257. Toccata for Keyboard no 4 in A minor by Matthias Weckmann Performer: Gustav Leonhardt (Harpsichord) Period: Baroque Written: 17th Century; Germany Date of Recording: 06/12/1996 Venue: Lutheran Church, Haarlem, Netherlands 258. Quintet for Clarinet and String Quartet in B flat major, Op. 89 by Anton Reicha Performer: Lucy Van Dael (Violin), Charles Neidich (Clarinet), Anner Bylsma (Cello), Jürgen Kussmaul (Viola), Vera Beths (Violin) Orchestra/Ensemble: L'Archibudelli Period: Classical Written: by 1809; France 259. Quartet for Clarinet, Violin, Viola and Cello in E flat major, S 78/WoO 5 by Johann Nepomuk Hummel Performer: Anner Bylsma (Cello), Charles Neidich (Clarinet), Vera Beths (Violin), Jürgen Kussmaul (Viola) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1808 260. Quintet for Clarinet and Strings in B flat major, J 182/Op. 34 by Carl Maria von Weber Performer: Charles Neidich (Clarinet), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola), Anner Bylsma (Cello), Vera Beths (Violin) Orchestra/Ensemble: L'Archibudelli Period: Romantic Written: 1815; Germany 261. Sanctus in eternis/Sanctus et ingenitus by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 262. Si doulchement mon ceur je sens souspris by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 263. Je suis trestout d'amour raimpli by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: 14th Century; Cyprus 264. Je prens d'amour by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: Cyprus 265. Gloria in excelsis by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble 266. Certes mout fu/Nous devons tresfort amer by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 267. Je prens plaisir en une dame by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 268. Motet "Credo in unum Deum" by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 269. Personet armonia by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 270. Si doulcement me fait amours/Nulz vrais amans by Anonymous Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Medieval Written: circa 1400; Cyprus 271. Vray dieu d'amours by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 04/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 9 Minutes 32 Secs. Language: French 272. Een vrouelic wesen by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 04/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 3 Minutes 45 Secs. Language: Dutch 273. Fors seulement by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 4/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 2 Minutes 10 Secs. Language: French 274. Fors seulement by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 4/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 1 Minutes 44 Secs. Language: Latin 275. Memorare Mater Christi by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 04/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 8 Minutes 0 Secs. Language: Latin 276. Missa "L'homme armé" by Matthaeus Pipelare Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: Netherlands (Holland Date of Recording: 04/1995 Venue: Begijnhofkerk, St. Truiden, Belgium Length: 31 Minutes 7 Secs. 277. El fuego by Mateo Flecha Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century; Spain Date of Recording: 10/1990 Venue: Chapel, Irish College, Leuven, Belgium Length: 19 Minutes 22 Secs. Language: Spanish 278. La Negrina by Mateo Flecha Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century Date of Recording: 12/1990 Venue: Chapel, Irish College, Leuven, Belgium Length: 16 Minutes 25 Secs. Language: Spanish 279. La justa by Mateo Flecha Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century Date of Recording: 10/1990 Venue: Chapel, Irish College, Leuven, Belgium Length: 25 Minutes 2 Secs. Language: Spanish 280. Magnificat septimi toni a 4 by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century; Italy Language: Latin 281. Super flumina Babylonis by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century; Italy Language: Latin 282. Missa "Se congie pris": Kyrie by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century; Italy Language: Latin 283. Missa "Se congie pris": Gloria by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: 16th Century; Italy Language: Latin 284. Constantia 'l vo' pur dire by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1540; Italy 285. E morta la speranza by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1537; Italy 286. Quando ritrovo la mia pastorella by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1541; Italy 287. Madonna ohimè by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1544; Italy 288. Chi vuol veder by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1549; Italy 289. Quis dabit oculis by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1514; Italy 290. Tribus miraculis by Costanzo Festa Conductor: Paul van Nevel Orchestra/Ensemble: Huelgas Ensemble Period: Renaissance Written: by 1519; Italy 291. Rorate caeli desuper by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval Written: Scotland 292. Ecce virgo concipiet by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 293. Veni, Redemptor gentium by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 294. Veni, o sapientia by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 295. Gaudens in domino by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 296. Natus est Altissimi hodie filius by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 297. Puer natus est nobis by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 298. Nato canunt omnia by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 299. Hodie Christus natus est by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 300. Magnificat by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 301. Puer natus in Bethlehem by Johann Stadlmayr Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Renaissance 302. Gloria laus et honor by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 303. Nos autem by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 304. Ubi caritas est vera by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 305. Vespere autem sabbati by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 306. Resurrexi et adhuc tecum sum by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 307. Kyrie eleison by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 308. Victimae paschali laudes by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 309. Alleluia by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 310. Surrexit Christus hodie by Leonhard Paminger Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Renaissance 311. Alleluia, Spiritus Domini by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 312. Venite exsultemus Domino by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 313. Spiritus Domini by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 314. Veni sancte spiritus by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 315. Factus est repente by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 316. Psalm 67 by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 317. Veni creator spiritus by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval Written: after 1300; France 318. Spiritus Paraclitus by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 319. Hodie completi sunt by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 320. Spiritus sancti gratia by Urban Loth Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Renaissance 321. Angelus Domini by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 322. Ave Maria by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 323. Sub tuum praesidium by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 324. Mittit ad Virginem by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 325. Agmina celsa sunt by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 326. Gaudeamus omnes by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 327. Concordi laetitia by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 328. Ave maris stella by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 329. Virgo prudentissima by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 330. Maria mater gratiae by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 331. Litaniae Lauretanae by Girolamo Giaccobbi Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Renaissance 332. Confitemini by Anonymous Conductor: Konrad Ruhland Orchestra/Ensemble: Niederaltaich Scholars Period: Medieval 333. Das jüngste Gericht, BuxWV Anh 3 "Wacht! Euch zum Streit gefasset macht" by Dietrich Buxtehude Conductor: Roland Wilson Orchestra/Ensemble: La Capella Ducale, Musica Fiata Period: Baroque Written: Germany 334. Concerto for Cello in A minor, RV 418 by Antonio Vivaldi Performer: Anner Bylsma (Cello) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 9 Minutes 45 Secs. 335. Concerto for Strings in C major, RV 117 by Antonio Vivaldi Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 5 Minutes 41 Secs. 336. Concerto for Strings in F minor, RV 143 by Antonio Vivaldi Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 5 Minutes 26 Secs. 337. Concerto for Violin and Cello in B flat major, RV 547 by Antonio Vivaldi Performer: Anner Bylsma (Cello), Jeanne Lamon (Violin) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 8 Minutes 40 Secs. 338. Concerto for 2 Violins and 2 Cellos in G major, RV 575 by Antonio Vivaldi Performer: Christina Mahler (Cello), Stephen Marvin (Violin), Jeanne Lamon (Violin), Anner Bylsma (Cello) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 10 Minutes 0 Secs. 339. Concerto for 4 Violins in D major, Op. 3 no 1/RV 549 by Antonio Vivaldi Performer: Christina Mahler (Cello), Jeanne Lamon (Violin), Chantal Rémillard (Violin), Stephen Marvin (Violin), Cynthia Roberts (Violin) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: 1711; Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 7 Minutes 38 Secs. 340. Concerto for Cello in G major, RV 413 by Antonio Vivaldi Performer: Anner Bylsma (Cello) Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 7 Minutes 52 Secs. 341. Concerto for Strings in E minor, RV 134 by Antonio Vivaldi Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 5 Minutes 17 Secs. 342. Concerto for Strings in A major, RV 159 by Antonio Vivaldi Conductor: Jeanne Lamon Orchestra/Ensemble: Tafelmusik Baroque Orchestra Period: Baroque Written: Venice, Italy Date of Recording: 06/1990 Venue: Hervormde Kerk, Bennebroek, Netherlands Length: 5 Minutes 2 Secs. 343. Du aber, Daniel, gehe hin, TV 4 no 17 by Georg Philipp Telemann Performer: Stephan MacLeod (Bass) Conductor: Stephan MacLeod Orchestra/Ensemble: Gli Angeli Geneve Period: Baroque Written: 18th Century; Germany 344. Ach dass ich Wassers gnug hätte by Johann Christian Bach Performer: Stephan MacLeod (Bass) Conductor: Stephan MacLeod Orchestra/Ensemble: Gli Angeli Geneve 345. Ich habe genug, BWV 82 by Johann Sebastian Bach Performer: Stephan MacLeod (Bass) Conductor: Stephan MacLeod Orchestra/Ensemble: Gli Angeli Geneve Period: Baroque Written: 1727; Cöthen, Germany 346. Jesu, meines Lebens Leben, BuxWV 62 by Dietrich Buxtehude Performer: Stephan MacLeod (Bass) Conductor: Stephan MacLeod Orchestra/Ensemble: Gli Angeli Geneve Period: Baroque Written: Germany 347. Jauchzet dem Herren alle Welt by Nicolaus Bruhns Performer: Stephan MacLeod (Bass) Conductor: Stephan MacLeod Orchestra/Ensemble: Gli Angeli Geneve Period: Baroque Written: 17th Century; Germany Other Information / Credits include - • Phonographic Copyright (p) – Sony Music Entertainment Germany GmbH • Copyright (c) – Sony Music Entertainment Germany GmbH • Design, Booklet Editor – Christine Schweitzer Cardboard sleeves in a cardboard box. 240 page booklet included. • Barcode: 889853320721 • Label Code: LC 06868 • Rights Society: BIEM/GEMAThis 60-Disc box set is from the SONY Records. Catalog # 88985332072Made in the EU (Germany most likely) Issued in 2016Limited Edition The Discs and OUTER BOX are all assumed to be in mint overall condition as this item is FACTORY SEALED. This CD is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).Do not let this rarity slip by!
Price: 249.99 USD
Location: New York, New York
End Time: 2024-08-01T14:27:57.000Z
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Item Specifics
All returns accepted: ReturnsNotAccepted
Features: Box Set - 60CDs + book, Compilation, Factory SEALED, Import, Issued 2016, Made in the EU (Germany we believe), Sealed
Catalog Number: 88985332072
Custom Bundle: No
MPN: SONY 60-CD Box 88985332072
Format: CD (60-Disc Box Set)
Modified Item: No
Occasion: none
Era: 2010s
Country/Region of Manufacture: Germany
Composer: Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms, Antoine Brumel, Johann Rosenmüller, Johann Christian Bach, Dietrich Buxtehude, Giovanni Gabrieli, Claudio Monteverdi, Carl Stamitz
CD Grading: Mint (M)
Edition: Collector's Edition, Deluxe Edition, Limited Edition
Record Label: Sony Classical
Case Type: Cardboard Sleeve
Release Title: Vivarte - 60 CD Collection Volume 2
Conductor: Jeanne Lamon, Frieder Bernius, Paul van Nevel, Roland Wilson, Bruno Weil, Stephen McLeod, Konrad Ruhland
Artist: Various
Release Year: 2016
Style: 2010s
Color: Silver
Genre: Classical
Case Condition: Mint (M)
Inlay Condition: Mint (M)
Performer Orchestra: Smithsonian Chamber Players, La Capella Ducale, Vienna Boys Choir, Stuttgart Baroque Orchestra, Tafelmusik, Huelgas Ensemble, Musica Fiata Köln, Orchestra Of The Age Of Enlightenment, Mozzafiato, Musica Fiata Cologne, Gli Angeli Genève
Type: Box Set (60-CDs + booklet)
