Sensorium: Embodied Experience, Technology, and Contemporary Art by Caroline A.

Description: Sensorium by Caroline A. Jones, Yuko Hasegawa, Marjory Jacobson, Bill Arning, Joe Haldeman, Jane Farver, Bruno Latour, Mark Doty, Michael Bull Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic "Abecedarius of the New Sensorium." FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic "Abecedarius of the New Sensorium."The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briands experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Millers uneasy psychological soundscapes to Bruce Naumans uncanny night visions and Fran ois Roches destabilized architecture. The art in Sensorium-which accompanies an exhibition at the MIT List Visual Arts Center-captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists provocations, and from a distance, in essays that situate it historically and intellectually. Copublished with The MIT List Visual Arts Center. Author Biography Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Bill Arning is Curator at the List Visual Arts Center at MIT.Bill Arning is Curator at the List Visual Arts Center at MIT.Bill Arning is Curator at the List Visual Arts Center at MIT.Bruno Latour, a philosopher and anthropologist, is the author of We Have Never Been Modern, An Inquiry into Modes of Existence, Facing Gaia, Down to Earth, and many other books. He coedited (with Peter Weibel) the previous ZKM volumes Making Things Public, ICONOCLASH, and Reset Modernity! (all published by the MIT Press).Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Stephen Wilson was Professor of Conceptual and Information Arts at San Francisco State University.Amelia Jones is Grierson Chair in Art History and Communication Studies at McGill University. Her books include Irrational Modernism- A Neurasthenic History of New York Dada (MIT Press), Self/Image- Technology, Representation and the Contemporary Subject, and Seeing Differently- A History and Theory of Identification and the Visual Arts.Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Peter Lunenfeld is Professor of Design Media Arts at UCLA.Barbara Stafford is the William B. Ogden Distinguished Service Professor of Art History at the University of Chicago. She is the author of Good Looking, Artful Science, Body Criticism, and Voyage into Substance (all published by MIT Press).Yvonne Rainer (b. 1934) is a dancer, choreographer, and filmmaker. She is the author of Feelings Are Facts- A Life (MIT Press).Stephen M. Kosslyn is Founding Dean and Chief Academic Officer of the Minerva Schools at KGI (the Keck Graduate Institute) and John Lindsley Professor of Psychology in Memory of William James, Emeritus, at Harvard University. He is the coauthor of Cognitive Psychology- Mind And Brain and the author of Image and Brain- The Resolution of the Imagery Debate (MIT Press).Peter Galison is Pellegrino University Professor of the History of Science and of Physics at Harvard University. He is the author of Einsteins Clocks, Poincares Maps- Empires of Time, How Experiments End, and Image and Logic- A Material Culture of Microphysics, among other books, and coeditor (with Emily Thompson) of The Architecture of Science (MIT Press, 1999).William J. Mitchell was the Alexander W. Dreyfoos, Jr., Professor of Architecture and Media Arts and Sciences and directed the Smart Cities research group at MITs Media Lab.Barbara Stafford is the William B. Ogden Distinguished Service Professor of Art History at the University of Chicago. She is the author of Good Looking, Artful Science, Body Criticism, and Voyage into Substance (all published by MIT Press).Bill Arning is Curator at the List Visual Arts Center at MIT.Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. A founding editor of Zone Books, he is the author of Techniques of the Observer (MIT Press, 1990) and coeditor of Incorporations (Zone Books, 1992). He has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts fellowships and was a member of the Institute for Advanced Study in Princeton.Thomas Y. Levin is Associate Professor of German at Princeton University where he teaches media and cultural theory. His most recent book CTRL SPACE - Rhetorics of Surveillance from Bentham to Big Brother (MIT Press, 2002) is the catalogue of a major exhibition which he curated at the ZKM in Karlsruhe (Germany).Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press).Sherry Turkle is Abby Rockefeller Mauze Professor of the Social Studies of Science and Technology at MIT and Founder and Director of the MIT Initiative on Technology and Self. A psychoanalytically trained sociologist and psychologist, she is the author of The Second Self- Computers and the Human Spirit (Twentieth Anniversary Edition, MIT Press), Life on the Screen- Identity in the Age of the Internet, and Psychoanalytic Politics- Jacques Lacan and Freuds French Revolution. She is the editor of Evocative Objects- Things We Think With, Falling for Science- Objects in Mind, and The Inner History of Devices, all three published by the MIT Press.Michel Foucault (1926-84) is widely considered to be one of the most influential academic voices of the twentieth century and has proven influential across disciplines.William Gibson is the author of many books, including Neuromancer and, most recently, Pattern Recognition.Caroline A. Jones is Professor of Art History in the History, Theory, Criticism section of the Department of Architecture at MIT. She is the editor of Sensorium- Embodied Experience, Technology, and Contemporary Art (MIT Press). Review On the exhibition: Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of Sensorium, the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation.—Boston Phoenix Review Text On the exhibition: "Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of Sensorium, the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation." - Boston Phoenix Review Quote On the exhibition: "Put aside everything you think you know about art for the sake ofexperiencing the sensual extravaganza of Sensorium, the ambitious, technically astute, and attimes mesmerizing List Center exhibit that addresses the intersection of technology and physicalsensation." Boston Phoenix Promotional "Headline" On the exhibition: "Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of Sensorium, the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation." -- Boston Phoenix Details ISBN0262101173 Short Title SENSORIUM Language English ISBN-10 0262101173 ISBN-13 9780262101172 Media Book DEWEY 709.05 Year 2006 Imprint MIT Press Place of Publication Cambridge, Mass. Country of Publication United States Edited by Caroline A. Jones Audience Age 18 Subtitle Embodied Experience, Technology, and Contemporary Art Position Associate Professor of the History of Art Affiliation Massachusetts Institute of Technology Series The MIT Press DOI 10.1604/9780262101172 UK Release Date 2006-10-06 AU Release Date 2006-10-06 NZ Release Date 2006-10-06 US Release Date 2006-10-06 Author Michael Bull Pages 268 Publisher MIT Press Ltd Format Hardcover Publication Date 2006-10-06 Audience Professional & Vocational Illustrations 30 color illus., 25 b&w illus.; 55 Illustrations We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:141685832;

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Book Title: Sensorium: Embodied Experience, Technology, and Contemporary Art

Item Height: 235mm

Item Width: 162mm

Author: Caroline A. Jones

Format: Hardcover

Language: English

Publisher: Yuko Hasegawa, Marjory Jacobson, Caroline A. Jones, Michael Bull, Jane Farver, Bill Arning, Joe Haldeman, Bruno Latour, Mark Doty, MIT Press Ltd

Publication Year: 2006

Item Weight: 703g

Number of Pages: 268 Pages