Description: We have a 100 percent guarantee of authenticity and a 30 day return policy. "Ocean Weather #21" by Scott Sandell Hand signed by the artist Detail "Ocean Weather #21" framed Diptych 2 Piece Original Monoprint Framed Size: 40" x 55" Image Size: 30" x 45" Condition of the monoprint is Excellent. Frame has some wear from age and being in storage. 100 percent guarantee of authenticity Certificate of Authenticity is included Gallery Retail : $1,215.00 MAKE AN OFFER!! Shipping Info : Buyer pays approximately $205 shipping and insurance within the continental US. We'll adjust the shipping cost if need be when we have your location. If we charged too much we'll refund the difference. If you can come to our Aurora, CO office you can pick it up (local taxes apply). We can take it out of the frame for cheaper shipping, just ask. To ship outside the continental US it really should be taken out of the frame. Questions? Please feel free to send us a message. Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying. Shipping Notice : Shipping is provided by experts in handling the transportation of fine art. The price includes pick up, professional packaging/crating, insurance for the actual sale price, and delivery to your door. Check out my other items! SCOTT SANDELL These latest works from the printmaker-painter Scott Sandell reflect a subtle shift in his way of looking at the natural world. Those familiar with the earlier concerns of this highly individual American artist will find his distinctive motifs and fascinations here (as well as his care for the integrity of the printed surface), but Sandell's gaze has now gone beyond the forms of nature to the elemental energies that animate nature as a whole. He has turned his eye upon light, wind, waves and gravity -- the primal forces that carve and delineate the raw matter of the universe. Sandell's palette is the solar spectrum refracted through atmosphere and sea, or refined into the synthesized brilliance of the modern city. In juxtaposing the black elegance of machine-generated type with the muted colors of granulated bone and shell, he suggests the real range of "earth tones" in a world that is both ancient and new. The adaptive blues and reds of the tropical reef are duplicated in the modern world by new printing processes and materials. It is the paradoxical play between these two creative forces -- the human and the natural -- that Sandell addresses in his unique use of color and form. Like nature itself, the artist in his studio never creates something from nothing, but rather makes something from something else. It is here in this "recombining" of elements that Sandell draws attention to the parallel between natural and mechanical means of reproduction. In "Over The Falls," a print that refines the themes of his earlier work into a single visual haiku, Sandell contrasts two of his favorite pattern motifs: a simple sprig impressed woodcut-style beside blocks or Japanese characters selected for their beauty as pure form. Reflecting both cultural and natural invention, the repeated leaf and the printed verbal symbols become ideographs in a visual koan, a riddle that explores the tension between these two inventive forces without resolving it. The technical challenge for Sandell is to balance these contrasts, one of which is the simple power of color opposed to the complex method of realizing it on the print. As always, Sandell has imbued these works with a degree of craftsmanship that extends beyond the image to the choice of handmade papers, inks, varnishes and overlay techniques. His latest print editions, for example, involve eight or nine colors applied in various steps to a sheet of handmade Okawara paper, with a large sheet of arches paper serving as a field. Sandell often individualizes a print with painted brush strokes or primitive forms of photography, a technique in which raw light is used to trace the shadow-like image of an object upon the print's surface. These methods are all part of what Sandell calls "third-generation abstract expressionism," the term he uses to describe his own place among American artists today. Sandell acknowledges his debt to earlier painters and printmakers who have worked in the abstract-expressionist tradition, while distancing himself from the figurative-narrative trend that preoccupies many of his contemporaries. Sandell says there is still much to accomplish with the primal elements of visual art -- pure form and color. In his latest works, he masterfully uses these irreducible elements to portray the equally irreducible forces of light and energy without which there could be no stories, no figures and no landscapes. -->
Price: 1215 USD
Location: Aurora, Colorado
End Time: 2025-02-03T20:27:36.000Z
Shipping Cost: 200 USD
Product Images
Item Specifics
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: Scott Sandell
Edition Size: 1
Size: Large (up to 60in.)
Signed: Yes
Color: Yellow
Date of Creation: 1970-1989
Material: monoprint
Certificate of Authenticity (COA): Yes
Framing: Framed
Original/Licensed Reprint: Original
Subject: Botanical
Print Surface: Paper
Listed By: Dealer or Reseller
Type: Print
Width (Inches): 55
Item Height: 40 in
Height (Inches): 40
Style: Abstract
Theme: Art
Features: Framed, Signed
Country/Region of Manufacture: United States
Production Technique: Lithography
Item Width: 55
Handmade: Yes