Ralph Fasanella "" Lucky Corner" Marcantonio Campaign Framed Primitive Art NEW

Description: Ralph Fasanella "Lucky Corner"Marcantonio CampaignThis artprint is:NEW- never before framed or owned!Primitive ArtPlate Signed Vintage Lithographic Art PrintOwn a piece of Italian-American History (Little Italy, NYC)CUSTOM FRAMED in a light brown WOOD frameDouble matted in White & BlackPublished by Modern Classics Inc. ( approx. 1972-1973)Framed Size: 33.5x 27"Image Size: 16" x 23"Ready to hang hardware includedInterested in different framing? Contact us!Framed in the USARalph Fasanella (1914–1997) was a working-class New Yorker and renowned painter of “social reality.” Through his colorful and dense compositions, he depicted complex themes of social and political unrest, historic events, the importance of leisure, and the unique energy of New York City and its citizens.Born in the Bronx and raised in New York City’s Little Italy, Fasanella was the son of Italian immigrants who, like so many others, left their country in search of a better life. Fasanella’s working-class identity, formed during those early years, was one that endured throughout his life. Raised by a mother who was involved in labor rights and anti-fascist activism, Fasanella himself became an advocate for unionism and worked as an organizer—most notably for the United Electrical, Radio, and Machine Workers of America. Immediately prior to his union organizing, he fought against Franco’s army in the Spanish Civil War, as a member of the all-volunteer Abraham Lincoln Brigade.Fasanella’s early activities as a light industry worker and labor organizer gave way to his burgeoning interest in painting. In 1945, at the age of thirty-one, Fasanella began to draw as a way to alleviate pain in his hands. He attended some art classes, but he felt self-conscious about the pretensions of being an “Artist”; he came to terms with it by using his art as a tool to agitate for social change. He eventually transitioned out of his role with the union and devoted himself full time to his painting. Drawing upon the people, places, and social matters that surrounded him, Fasanella quickly developed a body of work and was offered exhibitions at the prominent ACA Galleries in New York in 1946 and 1947. However, after this brief period of art world recognition, Fasanella was blacklisted during the McCarthy era because of his leftist profile, and gallery interest ended abruptly. Through these and ensuing years, he maintained an earnest and consistent effort with his painting, while working at a family-owned gas station in the Bronx to earn an income.In 1972 Fasanella was “discovered” and featured on the cover of New York Magazine. Although he had been producing and showing his work on a regular basis at venues such as union halls, churches, and a variety of public spaces, the feature framed Fasanella as a “primitive” artist—a label he roundly dismissed. Nevertheless, it was this media attention that led to a turning point for Fasanella, who, at the age of fifty-eight, became able to focus his full attention on his artmaking. His incisive visual narratives continue to resonate with contemporary audiences, proclaiming social engagement and action as a primary effect of artistic expression.Marcantonio Campaign—“Lucky Corner” Vito Marcantonio, the “People’s Congress-man” who represented the diverse community of East Harlem during the 1940s and 1950s, was one of Fasanella’s heroes whom he considered a compassionate and incorruptible fighter for progressive values. In 1949, when “Marc” ran for mayor of New York City, Fasanella ran on the same American Labor Party ticket for the New York City Council. In this 1972 painting, Fasanella relives that 1949 campaign as he shows Marcantonio making his Election Night speech at his “lucky corner”—Lexington Avenue and East 116th Street—which Marcantonio inherited from his mentor, Mayor Fiorello LaGuardia. The vignette of the speaker’s platform and the large and attentive throng of supporters capture the intensity of the campaign’s climax.In contrast to the mood of the crowd and speakers at Lucky Corner, the painting opens up to show a wide swath of New York City—both tenements and high rises-going about its daily business. “I wanted to show that the city goes on anyway,” Fasanella recalled, thus making the city itself the subject of the painting. As in many of his works, even the most important and dynamic individuals are dwarfed—and defined—by the rhythm and scale

Price: 179.99 USD

Location: Deer Park, New York

End Time: 2025-01-26T22:49:09.000Z

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