Description: Item: i35662 Authentic Ancient Coin of: Greek King: Philip V - King of Macedonia: 221-179 B.C. Bronze 20mm (6.70 grams) Struck circa 221-179 B.C. Reference: SNGCop 1262 Head of bearded Hercules right in lion's skin. ΒΑΣΙΛΕΩΣ ΦΙΛΙΠΠΟΥ above and below harpa (flute), ΔI above, all within oak wreath. Son of Demetrios II, Philip V came to power in 221 B.C. on the death of Antigonos Doson. He was a vigorous ruler and maintained the power of the Macedonian kingdom in the earlier part of his reign. However, he made the mistake of arousing the enmity of the Romans, and in 197 B.C. his power was crushed at the battle of the Kynoskephalai by the Roman general T. Quinctius Flamininus. After this his power and territory were severely curtailed by Rome, and the days of the Macedonian kingdom were numbered. You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity. Hercules and the Hydra (ca. 1475) byAntonio del Pollaiuolo the hero wears his characteristic lionskin and wields a club Hercules is the Roman name for the Greek divine hero Heracles, who was the son of Zeus (Roman equivalent Jupiter) and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in popular culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. The Latin name Hercules was borrowed through Etruscan, where it is represented variously as Heracle, Hercle, and other forms. Hercules was a favorite subject for Etruscan art, and appears often on bronze mirrors. The Etruscan form Herceler derives from the Greek Heracles via syncope. A mild oath invoking Hercules (Hercule! or Mehercle!) was a common interjection in Classical Latin. Baby Hercules strangling asnake sent to kill him in his cradle(Roman marble, 2nd century CE) Hercules had a number of myths that were distinctly Roman. One of these is Hercules' defeat of Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus. Mark Antony considered him a personal patron god, as did the emperor Commodus. Hercules received various forms of religious veneration, including as a deity concerned with children and childbirth, in part because of myths about his precocious infancy, and in part because he fathered countless children. Roman brides wore a special belt tied with the "knot of Hercules", which was supposed to be hard to untie. The comic playwright Plautus presents the myth of Hercules' conception as a sex comedy in his play Amphitryon; Senecawrote the tragedy Hercules Furens about his bout with madness. During the Roman Imperial era, Hercules was worshipped locally from Hispania through Gaul. Germanic association Tacitus records a special affinity of the Germanic peoples for Hercules. In chapter 3 of his Germania, Tacitus states: ... they say that Hercules, too, once visited them; and when going into battle, they sang of him first of all heroes. They have also those songs of theirs, by the recital of this barditus as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm. In the Roman era Hercules' Club amulets appear from the 2nd to 3rd century, distributed over the empire (including Roman Britain, c.f. Cool 1986), mostly made of gold, shaped like wooden clubs. A specimen found in Köln-Nippes bears the inscription "DEO HER[culi]", confirming the association with Hercules. In the 5th to 7th centuries, during the Migration Period, the amulet is theorized to have rapidly spread from the Elbe Germanic area across Europe. These Germanic "Donar's Clubs" were made from deer antler, bone or wood, more rarely also from bronze or precious metals.They are found exclusively in female graves, apparently worn either as a belt pendant, or as an ear pendant. The amulet type is replaced by the Viking Age Thor's hammer pendants in the course of the Christianization of Scandinavia from the 8th to 9th century. Medieval mythography Hercules and the Nemean lionin the 15th-century Histoires de Troyes After the Roman Empire became Christianized, mythological narratives were often reinterpreted as allegory, influenced by the philosophy of late antiquity. In the 4th century, Servius had described Hercules' return from the underworld as representing his ability to overcome earthly desires and vices, or the earth itself as a consumer of bodies. In medieval mythography, Hercules was one of the heroes seen as a strong role model who demonstrated both valor and wisdom, with the monsters he battles as moral obstacles. One glossator noted that when Hercules became a constellation, he showed that strength was necessary to gain entrance to Heaven. Medieval mythography was written almost entirely in Latin, and original Greek texts were little used as sources for Hercules' myths. Renaissance mythography The Renaissance and the invention of the printing press brought a renewed interest in and publication of Greek literature. Renaissance mythography drew more extensively on the Greek tradition of Heracles, typically under the Romanized name Hercules, or the alternate name Alcides. In a chapter of his book Mythologiae (1567), the influential mythographer Natale Conti collected and summarized an extensive range of myths concerning the birth, adventures, and death of the hero under his Roman name Hercules. Conti begins his lengthy chapter on Hercules with an overview description that continues the moralizing impulse of the Middle Ages: Hercules, who subdued and destroyed monsters, bandits, and criminals, was justly famous and renowned for his great courage. His great and glorious reputation was worldwide, and so firmly entrenched that he'll always be remembered. In fact the ancients honored him with his own temples, altars, ceremonies, and priests. But it was his wisdom and great soul that earned those honors; noble blood, physical strength, and political power just aren't good enough. In art In Roman works of art and in Renaissance and post-Renaissance art, Hercules can be identified by his attributes, the lion skin and the gnarled club (his favorite weapon); in mosaic he is shown tanned bronze, a virile aspect. Roman era Hercules of the Forum Boarium (Hellenistic, 2nd century BCE) Hercules and Iolaus (1st century CE mosaic from the Anzio Nymphaeum, Rome) Hercules (Hatra, Iraq,Parthian period, 1st-2nd century CE) Hercules bronze statuette, 2nd century CE (museum of Alanya, Turkey) Hercules and the Nemean Lion (detail), silver plate, 6th century (Cabinet des Médailles, Paris) Modern era The Giant Hercules (1589) by Hendrik Goltzius The Drunken Hercules(1612-1614) by Rubens Hercules in the Augean stable (1842, Honoré Daumier) Comic book cover (c.1958) Hercules, Deianira and the Centaur Nessus, byBartholomäus Spranger, 1580 - 1582 Henry IV of France, as Hercules vanquishing theLernaean Hydra (i.e. theCatholic League), byToussaint Dubreuil, circa 1600. Louvre Museum In numismatics Hercules was among the earliest figures on ancient Roman coinage, and has been the main motif of many collector coins and medals since. One example is the 20 euro Baroque Silver coin issued on September 11, 2002. The obverse side of the coin shows the Grand Staircase in the town palace of Prince Eugene of Savoy in Vienna, currently the Austrian Ministry of Finance. Gods and demi-gods hold its flights, while Hercules stands at the turn of the stairs. Juno, with Hercules fighting a Centaur on reverse (Roman, 215-15 BCE) Club over his shoulder on a Roman denarius (ca. 100 BCE) Maximinus II and Hercules with club and lionskin (Roman, 313 CE) Commemorative 5-francpiece (1996), Hercules in center Other cultural references Pillars of Hercules, representing the Strait of Gibraltar (19th-century conjecture of the Tabula Peutingeriana) The Cudgel of Hercules, a tall limestone rock formation, with Pieskowa Skała Castle in the background Hercules as heraldic supporters in the royal arms of Greece, in use 1863-1973. The phrase "Ηρακλείς του στέμματος" ("Defenders of the Crown") has pejorative connotations ("chief henchmen") in Greek. In films For a list of films featuring Hercules, see Hercules in popular culture#Filmography. A series of nineteen Italian Hercules movies were made in the late 1950s and early 1960s. The actors who played Hercules in these films were Steve Reeves, Gordon Scott, Kirk Morris, Mickey Hargitay, Mark Forest, Alan Steel, Dan Vadis, Brad Harris, Reg Park, Peter Lupus (billed as Rock Stevens) and Michael Lane. A number of English-dubbed Italian films that featured the name of Hercules in their title were not intended to be movies about Hercules. Philip V (Greek: Φίλιππος Ε΄) (238 BC - 179 BC) was King of Macedon from 221 BC to 179 BC. Philip's reign was principally marked by an unsuccessful struggle with the emerging power of Rome. Philip was attractive and charismatic as a young man. A dashing and courageous warrior, he was inevitably compared to Alexander the Great and was nicknamed the darling of Hellas (Greek: η αγάπη μου για Ελλάδα). // Early life The son of Demetrius II and Chryseis, Philip was nine years old at his father's death in 229 BC. He had an elder paternal half sister called Apame. His cousin, Antigonus Doson, administered the kingdom as regent until his death in 221 BC when Philip was seventeen years old. On his ascent to the throne, Philip quickly showed that while he was young, this did not mean that Macedon was weak. In the first year of his rule, he pushed back the Dardani and other tribes in the north of the country. The Social War In the Social War (220 BC-217 BC), the Hellenic League of Greek states was assembled at Philip V's instigation in Corinth. He then led the Hellenic League in battles against Aetolia, Sparta and Elis. At the same time he was able to stamp on his own authority amongst his own ministers. His leadership during the Social War made him well-known and respected both within his own kingdom and abroad. First Macedonian War After the Peace of Naupactus in 217 BC, Philip V tried to replace Roman influence along the eastern shore of the Adriatic, forming alliances or lending patronage to certain island and coastal provinces such as Lato on Crete. He first tried to invade Illyria from the sea, but with limited success. His first expedition in 216 BC had to be aborted, while he suffered the loss of his whole
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