Description: Fantastic full length from Makaya McCraven in collaboration with some great players from London and Chicago. The music here is so good, inspired, soulful, sweet, filled with unexpected twists and turns from players who are attuned to the sounds surrounding them but also bring something new to proceedings. I'd put this in the (though it's not exact) realm of players like Kamasi Washington who both have a deep feeling for what makes exploratory jazz special and also sound very much like artists not only in the moment but moving forward. More about it below. Enjoy! more about it Over the course of 3 days in London, drummer/producer Makaya McCraven connected with first time collaborators (Theon Cross, Nubya Garcia, Joe Armon-Jones, Soweto Kinch, Ashley Henry, Daniel Casimir and Kamaal Williams) and did 2 improvised performances as part of a 2-night showcase called CHICAGOxLONDON at legendary UK Jazz hub Total Refreshment Centre (TRC). The following Sunday afternoon five producers (LeFtO, Ben LaMar Gay, Quiet Dawn, Earl Jeffers & Don Leisure of the Darkhouse Family) were invited to TRC to participate in an event called Fresh Roasted: Live Beat-Making & Battle, where they did live remixes of the recordings from Makaya & co’s CHICAGOxLONDON performances. Remixes by Emma-Jean Thackray and Lexus Blondin were added to the pool, at which point Makaya took all the remixes and the raw live recordings from TRC back to his home studio in Chicago, chopped everything up and re-composed the music into two continuous side suites for this CHICAGO x LONDON mixtape. a review A summit meeting starring luminaries from two of the planet's bleeding-edge jazz scenes—London and Chicago—Where We Come From was recorded at London's Total Refreshment Centre in late 2017 and was first released as a mixtape and a download. It pitches Chicago drummer Makaya McCraven alongside four leading faces on the young London scene—tuba player Theon Cross, tenor saxophonist Nubya Garcia and keyboardists Joe Armon-Jones and Kamaal Williams—and the (slightly) longer-established alto saxophonist Soweto Kinch. Remixes are by Ben Lamar Gay, Don Leisure & Earl Jeffers (Darkhouse Family), Emma-Jean Thackray (herself making a name in London as a trumpeter), Lefto, Lexus Blondin and Quiet Dawn—and given the genre-inclusive orientation of the players, who between them bring dancehall, grime, garage and hip hop into their calibrations of jazz, the idea of using this particular crew of remixers fits right into the party. There have been hands-across-the-ocean projects before, but Where We Come From is the first one which can properly be described as a meeting of equals. Until recently, American artists have generally been perceived as the senior participants in these affairs. Such a perception is wholly inaccurate today. Some might go so far as to say it is British musicians who are the contemporary trailblazers. Whatever. But since 2013, a new generation of musicians, many of them black and many of them women, has emerged from London's music colleges and from community projects such as Tomorrow's Warriors and Kinetika Bloco; they have brought with them a singular and geographically distinct aesthetic which distinguishes itself from its American cousin by embracing the post-1940s Caribbean and African heritages of many of its vanguard stylists and their experiences of growing up in modern London. Jazz was created by black musicians. Today's London scene is by no means racially exclusive, but there is no doubt that it is black musicians who are once more leading the way. In an interview with Jocks&Nerds magazine, to be published in March 2019, Theon Cross—whose much anticipated album Fyah will be released the same month—explains the genesis of the new London jazz scene. Here is an advance extract.... "Around the end of the 2000s a lot of us were hitting our twenties and we consciously started including the musics we'd grown up with in our jazz," says Cross. "I respect the [American] jazz tradition, and it feeds into the way I improvise. But when I formed [my own group] Fyah, I started thinking, what if I use some dancehall rhythms? Because that was the music I grew up around. My father's Jamaican, my mother's Saint Lucian. We all started bringing into the music those things that formed our identity as black British people. For Moses [Boyd] it was garage influences. Nubya the same. "It all flowed into the music and it built a fan base that wanted to relate to that experience, because that was their identity, too. We started to realise, wow, there are people like us that we can play to. So the black British experience is in there. A lot of our cultural experiences started coming through in the way we played—how we improvise, the kind of bass lines, the kind of melodies. You can have technique but ultimately we all have to ask ourselves, what is my identity?" British jazz has finally come of age—and the proof is in the listening. Highlight records released since 2015 include Binker and Moses' Dem Ones (Gearbox 2015), Journey To The Mountain Of Forever (Gearbox 2017) and Alive In The East? (Gearbox 2018); Shabaka Hutchings & Sons Of Kemet's Wisdom Of Elders (Brownswood 2016) and Your Queen Is A Reptile (Impulse! 2018); Yusef Kamaal's Black Focus (Brownswood 2016); Yazz Ahmed's La Saboteuse (Naim 2017); Nubya Garcia's Nubya's 5ive (Jazz Re-freshed 2017); Theon Cross' Aspirations (Self Released 2015); Zara McFarlane's Arise (Brownswood 2017); the various-artists collection We Out Here (Brownswood 2018); Kamaal Williams' The Return (Black Focus 2018); Nérija's Nérija (Self Released 2016); Tenderlonious' The Shakedown (22a 2018); Moses Boyd's Displaced Diaspora (Exodus 2018); Joe Armon-Jones' Starting Today (Brownswood 2018); Camilla George's Isang (Ubuntu 2017); and Maisha's There Is A Place (Brownswood 2018). It must have been fun being on 52nd Street during the birth of bop. But no more fun, surely, than being a jazz fan in London today.
Price: 6.99 USD
Location: Minneapolis, Minnesota
End Time: 2024-08-20T15:34:51.000Z
Shipping Cost: 5.25 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
CD Grading: Good (G)
Type: Album
Case Type: Digipack
Case Condition: Very Good (VG)
Country/Region of Manufacture: United States
Release Year: 2019
Format: CD
Genre: Jazz
Record Label: Ilam, International Anthem
Artist: Mccraven, Makaya
Release Title: Where We Come from (Chicagoxlondon Mixtape)