IK Multimedia AXE I/O & Amplitube 5 MAX Bundle + IK iLoud Micro Monitors

Description: DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer - Full Warranty IK Multimedia AXE I/O & Amplitube 5 MAX Bundle + IK iLoud Micro Monitors Computer Interface + Pair of Studio Monitors - Bundle Deal - Description Product Description for IK Multimedia AXE I/O & Amplitube 5 MAX Bundle and IK Multimedia iLoud MTM Package Includes : 1 X IK Multimedia AXE I/O & Amplitube 5 MAX Bundle 1 X IK Multimedia iLoud MTM IK Multimedia AXE I/O & Amplitube 5 MAX Bundle Premium audio interface with advanced guitar tone shaping The audio interface guitar players were waiting for Since we pioneered guitar amp & effects modeling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modeling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world’s most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones. AXE I/O brings all that experience to you. AXE I/O is a professional 2 in/5 out audio interface – and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever. AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch. Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you’ve never heard before. Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible. And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe. We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes. Every element of AXE I/O has been created with no-compromise quality and real-world usefulness. It’s the interface we wish we’d had all along. A truly high-end audio interface for everybody 117 dB dynamic range, 3 Hz – 32 kHz frequency response – these aren’t the specs you typically find on instrument inputs. But they’re essential to capturing the most accurate details of your performance, for coaxing the best performance from your instrument, and for keeping your sound pure and transparent. AXE I/O provides 2 Hi-Z front ¼" inputs for guitars and basses, 2 rear combo inputs with phantom power to connect mics and line instruments, and clear precision front peak meters to conveniently monitor the signal level at the channels input. Two floating balanced outputs, two unbalanced and one floating unbalanced Amp out plus a high-current headphone out let you connect monitors, mains and headphones, with independent volume for both. A Monitor knob makes it easy to blend direct monitoring and the audio from your computer for zero latency monitoring. 24-bit, 192 kHz conversion and an ultra-stable, low jitter internal clock ensures the highest fidelity, whether you’re capturing vocals, acoustic instruments, amplified guitar or just direct signal for use with AmpliTube. But that’s just scratching the surface. Your guitar’s golden channel AXE I/O’s main channel offers 3 different circuit topologies – that means you have 3 different options to adapt to any type of guitar, pick-up and style so you can always dial in the perfect tone from any instrument.Pure : a completely transparent and ultra-accurate instrument preamp that won’t coloryour sound in any way.JFET : a Class A JFET input buffer to add subtle harmonic enhancement. A slight midrange focus adds warmth, giving you more tonal options from the same instrument.Active : bypasses unnecessary gain stages when using active pick-ups, to keep your signal path as direct, transparent and clean as possible. All three stages offer 117 dB dynamic range to ensure the cleanest signal. And the 3 Hz – 32 kHz frequency response preserves the full sonic impact of your instrument. Unlike the 20 Hz bass response in budget interfaces, AXE I/O captures the full impact of even the deepest bass and won’t artificially cut off sounds above 20 kHz. Tone and feel like you’ve never heard Guitar pickups can dramatically change their character depending on the impedance of your preamp. Many guitar amps offer a load of 1 MOhms, while pedals can run much lower. That’s why the tone and responsiveness of your guitar can change so much when plugging into different gear. AXE I/O’s patent pending Z-TONE circuit lets you dial in impedance from 1 MOhm (“sharp”) down to 2.2 kOhms (“bold”) that interacts with your pick-ups. At the maximum impedance, you’ll find your sound tighter, sharper and more precise. Increase the load and the sound becomes more thick and bold. You’ll quickly find yourself using this to give your guitars even more sonic character – with just a few minutes’ experimentation you can dial in a sound that fits the mix beautifully, as if it's been EQ’d. PURE mic preamps for transparent recording When it comes to recording with microphones, AXE I/O offers two PURE mic preamps designed for transparent and clean recording. These mic pres offer a wide, flat frequency response: 5 Hz to 32 kHz, ± 0.5 dB (at 96 kHz) to avoid unwanted coloration and perfectly preserve the sonic character of your acoustic guitar, piano or other instrument, and maintain the signature of whichever mics you connect. They offer 116 dB of dynamic range, for ultra-quiet sound perfect for recording even the most delicate instruments, but make it easy to also pull back and record the loudest amp stack. Re-amplification made easier than ever Many guitarists have tried to integrate their amps and stomps with recording setups only to discover it’s not an easy task! You used to need a DI box, a ground loop interrupter to prevent buzz and hum, and still have to constantly dis-connect and re-connect every time you switch between recording direct and recording your amp. AXE I/O makes this all easier than ever with its Amp Out. It features a dedicated ground-isolated low noise ¼” output right on the front panel for easy access. Just record a track with a clean copy of your guitar’s signal. Now you can use the Amp out to experiment with different amp, stompbox and microphone settings, or swap out a whole new rig! AXE I/O offers a simple, streamlined re-amplification setup in a single box, to save you time, money and energy and open up unlimited sonic flexibility for all your guitar recordings. Seamless AmpliTube integration - and more For those who prefer in-the-box modeling, AXE I/O also offers a range of useful features. First, a Preset knob lets you quickly and easily scroll through AmpliTube presets. Just push the knob to select and load one. You can find the perfect preset without ever having to grab a mouse. And if you use any other software, the Preset knob can be freely assigned to any CC so you can have direct control of your preferred virtual rig. Second, two dedicated controller inputs let you connect up to two expression pedals or two single/double switches to control AmpliTube, or any other software, in real-time while playing. With AmpliTube’s MIDI Learn function, just right-click on any parameter you want to control, move the pedal, and it’s assigned. You can do up to 6 different controller configurations with AXE I/O, mixing pedals and switches, to suit your needs. You can also use AXE I/O’s MIDI input and output to connect floor controllers or iRig Stomp I/O to add even more real-time controls - or use it with regular keyboards and other standard MIDI gear. There’s also a dedicated tuner on the front panel, making it easier to tune in between takes.And we’ve worked hard to ensure AXE I/O offers minimal latency, giving you the tightest response and feel while tracking. IK Multimedia iLoud MTM High-Resolution Compact Studio Monitor Your Music As You’ve Never Heard Before IK’s iLoud Micro Monitors stunned an industry. Producers and engineers at every level marveled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5”, 6” and even 8” monitors. The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today’s modern studio. Once you hear iLoud MTM, you’ll find it hard to ever go back to traditional big-box speakers. iLoud MTM offersUltra-flat frequency responsePhase-coherent soundExtended, controlled low endSuperior sound at short distancesPerfect for desks and small spacesARC self-calibration adjusts to any roomDSP-controlled for superior performance100W RMS total power per speaker40 Hz to 24 kHz frequency response0° - 20° tilting stand for ideal positioning Reference-Class, Ultra-Linear Response The first job of any studio monitor is to deliver accurate, uncolored sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers’ performance, delivering results simply not obtainable with traditional analog designs. Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course it’s loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for. Extended low-end to rival larger systems iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3” speaker that “defied physics”. But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles. iLoud MTM debuts IK’s new patent-pending Physical Response Linearization (PRL) system, that uses a precise model of the enclosure’s design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system’s performance in real time. The result is a stunningly “firm,” balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM’s size. Deep bass is solid and firm - you won’t believe sound like this comes from a monitor so small. A New Phase in Accurate Sound Reproduction Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK’s two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you’ve never heard. You’ll hear instruments and dialogue as if it’s happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM’s price, and has to be heard to be appreciated. Symmetrical Mtm Design for Superior Imaging and Precision iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5” high performance woofers and one 1” high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can’t be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers “disappear” and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort. iLoud MTM’s design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear. The controlled dispersion minimizes the impact of room acoustics, for even truer monitoring. Instantly Adjust To Any Room Environment Today’s studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don’t have that luxury. iLoud MTM offers built-in acoustic self-calibration via the included ARC reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you’ll instantly have a custom calibration for the sweet spot of your listening environment. Plus of course you can adjust low-frequency extension and trim the LF and HF response to your taste. With iLoud MTM, you can be confident your monitoring is optimized for your room’s acoustics, so your mixes will translate better. Adjust Your Angle in Any Situation It’s often overlooked – your studio monitors’ tweeters need to point at your ears. This is even more critical in modern studios where more and more musicians are using them at very close distances, like on a desktop beside their laptop or computer screen. iLoud MTM includes a tilting mount that not only helps isolate it, but also angles from 0° to 20° for correct positioning in a wide range of setups. That’s higher than most other “tilting” monitors, that too often can’t actually reach the needed angle for a desktop or other close-listening setup. iLoud MTM also includes a rubber base for horizontal placement, and a bottom thread to mount conveniently on mic stands, for more installation options. Combined with their symmetrical design and phase-coherent response, iLoud MTM allows for ultra-focused and accurate monitoring anywhere. Superior Monitoring, Superior Metering iLoud MTM also gives you the T-RackS 5 Metering Suite for free upon registration. This broadcast-ready suite provides you with precision Peak, RMS and Dynamic Range meters, spectogram, real-time analyzer, phase and correlation meters and more. It’s a couple set of tools to manage all the aspects of your audio material with reference-class accurary. This convenient plug-in can be inserted on your master bus or any single track so your metering is as professional as your monitoring. Digitally-Controlled For Precision Audio iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations. The product of IK’s 20+ years’ experience in digital signal processing, the advanced processing onboard helps iLoud MTM deliver sound far beyond anything in its size or class. Features/Specs IK Multimedia AXE I/O & Amplitube 5 MAX Bundle Connections2 in / 5 out (one low-noise Amp out)2 ultra-low noise mic in/balanced line inTriple topology guitar input with Z-TONE2 balanced monitor out / 2 line outReference headphones out2 fully configurable external control inputMIDI input/outputUSB 2.0 compatible with Mac/PC Best-in-class guitar toneSelectable Active/Passive/discrete JFET/Pure instrument preampPatent pending Z-TONE input for a tonal palette never heard beforeAmp out can connect to amps and stomps without ground noiseConnect up to 2 expression pedals, single and double-switchesFully assignable data-knob – for AmpliTube preset browsing and moreBuilt-in TunerRugged/compact metal housingIncludes AmpliTube 4 Deluxe Premium studio soundHigh-resolution ultra low-noise Class A microphone preampsBest-in-class conversion and superior analog designAsynchronous USB audio, ultra low conversion jitters for premium quality117dB dynamic rangeIncludes control softwareUp to 192 kHz sampling rateIncludes 10 T-RackS high-end plug-ins and Ableton Live 10 Lite CommonConversion : 24-bit A/D, 24-bit D/ASampling Rate : 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHzPower : DC INDevice Connection : USB B-Type 2.0Enclosure : metal sheet Line Outputs 1-2 (Monitor)Configuration : Electronically balanced and floating, automatically compensates level when connection is balanced or unbalanced, tip hot.Output impedance : 150 Ohms balanced, 75 Ohms unbalancedOutput Level : 0 dBFS corresponds to +21 dBuFrequency response : From 3 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 116 dB(A)THD+N : -106 dB(A) at -1 dBFSChannels 1-2 crosstalk : 115 dB(A) Line Outputs 3-4Configuration : UnbalancedOutput impedance : 75 OhmsOutput Level : 0 dBFS corresponds to +16 dBuFrequency response : From 3 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 115 dB(A)THD+N : -102 dB(A)Channels 3-4 crosstalk : 112 dB(A) Output 5 (Amp output)Configuration : Unbalanced, floating, with selectable ground liftOutput impedance : 100 OhmsOutput Level : 0 dBFS corresponds to -6 dBuFrequency response : From 10 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 110 dB(A)THD+N : -104 dB(A) Headphones OutOutput impedance : Virtually ideal source (zero Ohms) until clippingMaximum Output level : +12 dBu into 50 Ohms load (approx 180 mW)Frequency response : From 3 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 112 dB(A)THD+N : -100 dB(A) Mic Inputs 1-2Configuration : Class-A discrete differential microphone preamp, pin 2 hotInput impedance : 4 kOhms differentialInput level, min gain : 0 dBFS is obtained with a +12 dBu signal at the XLR inputInput level, max gain : 0 dBFS is obtained with a -37 dBu signal at the XLR inputFrequency response : From 5 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 116 dB(A)THD+N : -106 dB(A) at -10 dBFS Line Inputs 1-2Configuration : Class-A discrete differential line receiver, tip hotInput impedance : 20 kOhms differentialInput level, min gain : 0 dBFS is obtained with a +26 dBu signal at the TRS inputInput level, max gain : 0 dBFS is obtained with a -24 dBu signal at the TRS inputFrequency response : From 5 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 116 dB(A)THD+N : -106 dB(A) at -10 dBFSInstrument Inputs 1Configuration : Multiple topology instrument preampInput impedance, PASSIVE mode : Variable from 1 MOhms down to 2.2 kOhmsInput impedance, ACTIVE mode : 10 kOhmsInput level, min gain : 0 dBFS is obtained with a +14 dBu signal at the TS inputInput level, max gain : 0 dBFS is obtained with a -17 dBu signal at the TS inputFrequency response : From 3 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 117 dB(A)THD, PURE mode : 0.0015 %THD, JFET mode : 0.5 % Instrument Inputs 2Configuration : Hi-Z instrument preampInput impedance : 1 MOhmsInput level, min gain : 0 dBFS is obtained with a +14 dBu signal at the TS inputInput level, max gain : 0 dBFS is obtained with a -17 dBu signal at the TS inputFrequency response : From 3 Hz to 32 kHz within 0.5 dB (96 kHz sample rate)Dynamic Range : 117 dB(A)THD : 0.006% Connections and ControlsFront PanelTwo 1/4" instrument input jacksTwo analog potentiometers for Input GAINTwo 5 segments input level meter (peak)Two INST, LINE, MIC LEDsAnalog potentiometers for Z-Tone controlPick-Up selector (PASSIVE/ACTIVE)Preamp topology selector (JFET/PURE)+48V phantom power switchTuner switchTuner display and LEDsUSB LEDSMIDI IN/OUT LEDspush-encoder for PresetsMonitor knob1/4" headphones output jackMaster potentiometer for main output control1/4" Amp output jack Rear PanelOn/Off power switchExternal DC power inputMIDI I/O 5-pin DIN connectorsB-Type USB socket for connecting a computer (Mac/PC)2 x 1/4" TRS External controllers sockets2 x 1/4" TRS Balanced floating line outputs2 x 1/4" TRS Unbalanced line outputs2 Combo sockets for MIC input and Instrument input (auto selecting) IK Multimedia iLoud MTMMTM design for accurate sound focus and superior sound dispersion2 x 3.5” high performance woofers + 1” back-chamber loaded tweeter100W 2-way bi-amped speaker with class D amplifiers103dB max SPL @1 m40 Hz - 24 kHz frequency responseCoherent phase response within +/- 15° from 200 Hz to 24 kHz¼” / XLR Combo input, -10dBv or +4dBu selectable sensitivityEQ controls : LF extension, LF boost/cut, HF boost/cutAutomatic environment calibration with included ARC measurement microphoneCompact dimensions for easy positioning even in the smallest placeMultiple positioning with included 20° tiltable isolation base, horizontal base, and built-in mic stand threadType : 2-Way/3-speakers bi-amped, digitally controlled studio monitorLF Drivers : 2 x 3.5” polypropylene custom made mid-woofersHF Driver : 1” low distortion, back chambered silk dome tweeterAcoustic Design : DSP tuned bass reflexNumber of amps per speaker : 2Amplifiers type : High efficiency Class-DTotal power : 100W RMSLF power : 70W RMSHF power : 30W RMSCrossover Type : Linear Phase Variable OrderCrossover Frequency : 3.1kHzFrequency response : from 50 Hz to 24 kHz +/- 2dB (40 Hz -6dB when uncal, -3 dB when cal)Phase response : System remains coherent within +/- 15° from 200Hz to 20kHzSensitivity at +4dBu : 0dBu signal generates a 100 dB SPL @ 1 mSensitivity at -10dBV : -11dBu signal generates a 100 dB SPL @ 1 mMaximum SPL @ 1m, one speaker playing, on axis : 103dB from 200Hz up sine wave, 95dB at 100Hz sine, 93dB pink noisePlacement setup : Manual switches for LF Extension, LF trim, HF trim, Desk positionLF extension : switch Sets -3dB point of the frequency response at 40, 50 or 60 HzLF switch : Low shelf, +2dB or -3dB from 100Hz downHF switch : high shelf, +2dB or -2dB from 8kHz upDesk switch : -4dB at 160Hz and +1dB at 1.8kHzCalibration : Fully automatic and built-in digital calibration, microphone includedMeasurement Microphone : Omnidirectional, Mems based precision measurement microphoneFull DSP controlConnectors : 1x combo XLR-1/4” TRS balanced input; 1/8” TS ARC microphone input, 1 x USB type-B (service use only), AC POWER socketPower requirement : 90 to 240 V AC, auto-ranging, 50 or 60Hz, 120W max power consumptionDimensions : Size : 264mm/10.39" x 160mm/6.3" x 130mm/5.12" We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn't want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. "Special Orders", discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.

Price: 599.99 USD

Location: Winchester, Virginia

End Time: 2024-11-29T15:19:16.000Z

Shipping Cost: 0 USD