Constans victory Galey standard Chi-rho Phoenix Rare genuine ancient Roman coin

Description: One original ancient Roman bronze coin of: Constans - Roman Emperor: 337-350 A.D. - STRUCK - 348-351AD. AE HALF centenionalis 17-18mm. 2.71gm. Thessalonica mint. (VF) Original glossy brown-green patina. Professionally cleaned. Exactly as pictured. OBV./ D N CONSTANS P F AVG, diademed, draped and cuirassed bust right. Rev./ / FEL TEMP REPARATIO, emperor standing left on galley, holding labarum and phoenix on globe, Victory seated at the helm. Mintmark TESA. Coin is in good condition and very rare and nice inclusion to the finest collection! Authenticity guaranteed. COA included!!The phoenix is an immortal bird associated with Greek mythology (with analogs in many cultures such as Egyptian and Persian) that cyclically regenerates or is otherwise born again. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, others that it simply dies and decomposes before being born again. In the Motif-Index of Folk-Literature, a tool used by folklorists, the phoenix is classified as motif B32. The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Over time, extending beyond its origins, the phoenix could variously "symbolize renewal in general as well as the sun, time, the Empire, metempsychosis, consecration, resurrection, life in the heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian life". Some scholars have claimed that the poem De ave phoenice may present the mythological phoenix motif as a symbol of Christ's resurrection. Etymology The modern English word phoenix entered the English language from Latin, later reinforced by French. The word first entered the English language by way of a borrowing of Latin phoenīx into Old English (fenix). This borrowing was later reinforced by French influence, which had also borrowed the Latin noun. In time, the word developed specialized use in the English language: For example, the term could refer to an "excellent person" (12th century), a variety of heraldic emblem (15th century), and the name of a constellation (17th century). The Latin word comes from Greek φοῖνιξ phoinīx. The Greek word is first attested in the Mycenaean Greek po-ni-ke, which probably meant "griffin", though it might have meant "palm tree". That word is probably a borrowing from a West Semitic word for madder, a red dye made from Rubia tinctorum. The word Phoenician appears to be from the same root, meaning "those who work with red dyes". So phoenix may mean "the Phoenician bird" or "the purplish-red bird". Early texts Exterior to the Linear B mention above from Mycenaean Greece, the earliest clear mention of the phoenix in ancient Greek literature occurs in a fragment of the Precepts of Chiron, attributed to 8th-century BC Greek poet Hesiod. In the fragment, the wise centaur Chiron tells a young hero Achilles the following,[clarification needed][8] describing the phoenix's lifetime as 972 times the length of a long-lived human's: A chattering crow lives now nine generations of aged men, but a stag's life is four time a crow's, and a raven's life makes three stags old, while the phoenix outlives nine ravens, but we, the rich-haired Nymphs daughters of Zeus the aegis-holder, outlive ten phoenixes. Disputed origins Classical discourse on the subject of the phoenix attributes a potential origin of the phoenix to Ancient Egypt. Herodotus, writing in the 5th century BC, provides the following account of the phoenix: [The Egyptians] have also another sacred bird called the phoenix which I myself have never seen, except in pictures. Indeed it is a great rarity, even in Egypt, only coming there (according to the accounts of the people of Heliopolis) once in five hundred years, when the old phoenix dies. Its size and appearance, if it is like the pictures, are as follow: The plumage is partly red, partly golden, while the general make and size are almost exactly that of the eagle. They tell a story of what this bird does, which does not seem to me to be credible: that he comes all the way from Arabia, and brings the parent bird, all plastered over with myrrh, to the temple of the Sun, and there buries the body. In order to bring him, they say, he first forms a ball of myrrh as big as he finds that he can carry; then he hollows out the ball and puts his parent inside, after which he covers over the opening with fresh myrrh, and the ball is then of exactly the same weight as at first; so he brings it to Egypt, plastered over as I have said, and deposits it in the temple of the Sun. Such is the story they tell of the doings of this bird. In the 19th century, scholastic suspicions appeared to be confirmed by the discovery that Egyptians in Heliopolis had venerated the Bennu, a solar bird similar in some respects to the Greek phoenix. However, the Egyptian sources regarding the bennu are often problematic and open to a variety of interpretations. Some of these sources may have actually been influenced by Greek notions of the phoenix, rather than the other way around. Depictions According to the Catalogue of the Greek Coins in the British Museum, the "Numidian crane" represents the phoenix on the coinage of Antoninus Pius According to Harris Rackham, Pliny the Elder's description of a phoenix in Natural History "tallies fairly closely with the golden pheasant of the Far East" The phoenix is sometimes pictured in ancient and medieval literature and medieval art as endowed with a halo, which emphasizes the bird's connection with the Sun. In the oldest images of phoenixes on record these nimbuses often have seven rays, like Helios (the Greek personification of the Sun). Pliny the Elder also describes the bird as having a crest of feathers on its head, and Ezekiel the Dramatist compared it to a rooster. The phoenix came to be associated with specific colors over time. Although the phoenix was generally believed to be colorful and vibrant, sources provide no clear consensus about its coloration. Tacitus says that its color made it stand out from all other birds. Some said that the bird had peacock-like coloring, and Herodotus's claim of the Phoenix being red and yellow is popular in many versions of the story on record. Ezekiel the Tragedian declared that the phoenix had red legs and striking yellow eyes, but Lactantius said that its eyes were blue like sapphires and that its legs were covered in yellow-gold scales with rose-colored talons. Herodotus, Pliny, Solinus, and Philostratus describe the phoenix as similar in size to an eagle, but Lactantius and Ezekiel the Dramatist both claim that the phoenix was larger, with Lactantius declaring that it was even larger than an ostrich. According to Pliny's Natural History, aquilae narratur magnitudine, auri fulgore circa colla, cetero purpureus, caeruleam roseis caudam pinnis distinguentibus, cristis fauces, caputque plumeo apice honestante. The story is that it is as large as an eagle, and has a gleam of gold round its neck and all the rest of it is purple, but the tail blue picked out with rosecoloured feathers and the throat picked out with tufts, and a feathered crest adorning its head. —Pliny the Elder,"Naturalis historia", X: 2 —translated by Harris Rackham, 1940, LCL: 353, pp. 292–294 According to Claudian's poem "The Phoenix", arcanum radiant oculi iubar. igneus ora cingit honos. rutilo cognatum vertice sidus attollit cristatus apex tenebrasque serena luce secat. Tyrio pinguntur crura veneno. antevolant Zephyros pinnae, quas caerulus ambit flore color sparsoque super ditescit in auro. A mysterious fire flashes from its eye, and a flaming aureole enriches its head. Its crest shines with the sun's own light and shatters the darkness with its calm brilliance. Its legs are of Tyrian purple; swifter than those of the Zephyrs are its wings of flower-like blue dappled with rich gold. —Claudian,"Phoenix", ll. 17–22 —translated by Henry Maurice Platnauer, 1922, LCL: 136, pp. 224–225 5th-century mosaic of a nimbate phoenix from Daphne, Antioch, in Roman Syria (Louvre) Appearances According to Pliny the Elder, a senator Manilius (Marcus Manilius?) had written that the phoenix appeared at the end of each Great Year, which he wrote of "in the consulship of Gnaeus Cornelius and Publius Licinius", that is, in 96 BC, that a cycle was 540 years, and that it was 215 into the cycle (i.e. it began in 311 BC). Another of Pliny's sources, Cornelius Valerianus, is cited for an appearance of the phoenix in 36 AD "in the consulship of Quintus Plautius and Sextus Papinius".[25] Pliny states that a purported phoenix seen in Egypt in 47 AD was brought to the capital and exhibited in the Comitium in time for the 800th anniversary of the foundation of Rome by Romulus, though he added that "nobody would doubt that this phoenix was a fabrication". A second recording of the phoenix was made by Tacitus, who said that the phoenix had appeared instead in 34 AD "in the consulship of Paulus Fabius and Lucius Vitellius" and that the cycle was either 500 years or 1461 years (which was the Great Year based on the Egyptian Sothic cycle), and that it had previously been seen in the reigns first of Sesosis, then of Amasis, and finally of Ptolemy (third of the Macedonian dynasty). A third recording was made by Cassius Dio, who also said that the phoenix was seen in the consulship of Quintus Plautus and Sextus Papinius. Diffusion in later culture In time, the motif and concept of the phoenix extended from its origins in ancient Greek folklore. For example, the classical motif of the phoenix continues into the Gnostic manuscript On the Origin of the World from the Nag Hammadi Library collection in Egypt generally dated to the 4th century Flavius Julius Constans (320-350) was a Roman Emperor who ruled from 337 until his death. Constans was the third and youngest son of Constantine the Great and Fausta , Constantine's second wife. On 25 December 333 Constantine elevated Constans to Caesar. In 337 he succeeded his father, jointly with his older brothers Constantine II and Constantius II , receiving Italy , Pannonia and Africa as his portion. Constantine II, who ruled over Gaul, Spain and Britain, attempted to take advantage of his youth and inexperience by invading Italy in 340, but Constans defeated Constantine at Aquileia , where the older brother died. The invasion was the effect of brotherly tensions between the two emperors. Constantine II was, at first, Constans's guardian. As Constans grew older, Constantine II never relinquished that position. In 341-2, Constans led a successful campaign against the Franks and in the early months of 343 visited Britain . The source for this visit, Julius Firmicus Maternus , does not give a reason for this but the quick movement and the danger involved in crossing the channel in the dangerous winter months, suggests it was in response to a military emergency of some kind, possibly to repel the Picts and Scots . Regarding religion, Constans was tolerant of Judaism but promulgated an edict banning pagan sacrifices in 341. He suppressed Donatism in Africa and supported Nicene orthodoxy against Arianism , which was championed by his brother Constantius the latter. Constans called the Council of Sardica , which unsuccessfully tried to settle the conflict. In 350, the general Magnentius declared himself emperor with the support of the troops on the Rhine frontier, and later the entire Western portion of the Roman Empire. Constans lacked any support beyond his immediate household, and was forced to flee for his life. Magnentius' supporters cornered him in a fortification in Helena, southwestern Gaul, where he was killed by Magnentius's assassins. Items will be shipped within 1 to 3 business days of purchase completion. FREE domestic SHIPPING INTERNATIONAL $7.99 (REGISTERED-$21.00) WE COMBINE SHIPPING. If you would like to have special shipping, please contact us. All items will be sent out in protected envelope and boxed if necessary. YOU ARE BIDDING ON AN ANCIENT ITEM(S) AS DESCRIBED AND PICTURED ABOVE!!! 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