Description: Offset lithograph print - Circumcision of Christ by Federico Barocci With the picture mat it measures 11 x 14 inches and it has a backing on it so it is ready to be framed and hung. The image size (within the mat opening) is 9.75 x 7.5 inches. Striking Image. Printed in Switzerland in1987 on heavy cardstock. Very good overall condition. Will be shipped flat between pieces of thick cardboard to ensure safe transit and delivery. Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens.He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari.After passing four years at Rome, he returned to his native city, where his first work of art was a St. Margaret executed for the Confraternity of the Holy Sacrament. He was invited back to Rome by Pope Pius IV to assist in the decoration of the Vatican Belvedere Palace at Rome, where he painted the Virgin Mary and infant, with several Saints and a ceiling in fresco, representing the Annunciation.During this second sojourn, while completing the decorations for the Vatican, Barocci fell ill with intestinal complaints. He suspected that a salad which he had eaten had been poisoned by jealous rivals. Fearing his illness was terminal, he left Rome in 1563; four years later he was said to experience a partial remission after prayers to the Virgin. Barocci henceforth often complained of frail health, though he remained productive for nearly four decades more. While he is described by contemporaries as personally somewhat morose and hypochondriacal, his paintings are lively and brilliant. Although he continued to have major altarpiece commissions from afar, he never returned to Rome, and was mainly patronized in his native city by Francesco Maria II della Rovere, duke of Urbino. The Ducal Palace can be seen in the background of his paintings, rendered in a forced perspective that seems a holdover from Mannerism.While Barocci was removed from Rome, the fulcrum of artistic fame and influence, he continued to innovate in his style. At some point he may have seen colored chalk/pastel drawings by Correggio, but Barocci's remarkable pastel studies are the earliest examples of the technique to survive. In pastels and in oil sketches (another technique he pioneered) Barocci's soft, opalescent renderings evoke the ethereal. Such studies were part of a complex process Barocci used to complete his altarpieces.
Price: 79.99 USD
Location: Olympia, Washington
End Time: 2025-01-25T22:10:59.000Z
Shipping Cost: 12.5 USD
Product Images
Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: Federico Barocci
Image Orientation: Portrait
Size: Medium
Signed: No
Material: Ink, Paper
Item Length: 11 in
Framing: Matted
Original/Licensed Reprint: Licensed Reprint
Subject: art
Type: Print
Year of Production: 1987
Item Height: 14 in
Theme: Art
Style: old masters
Features: Matted
Production Technique: Lithography
Country/Region of Manufacture: United States
Time Period Produced: 1990-1999