Description: Description **Bosko: Volume 2** - Region 0 DVD - is used, and in "very good" condition overall. Disc rating: "". Some very light level scratching and marking may be apparent on the disc, but it looks pretty much blemish free to my eyes. The case has numerous dents and scratches, and displays overall signs of general wear. ***All used discs are quality checked prior to listing*** What you see is what you get - the item is exactly as pictured (I don't use stock photos). It will be packaged securely for shipping. What you get (refer to pics) DVD discCaseCover art If it's not on the list, it's not included Guarantee I buy things on eBay as well, and completely understand how disappointing it can be when something isn't exactly what I expected. As a result, I offer the following guarantee on this listing. If for any reason this item isn't up to your expectations in any way, simply return it and I'll give you a full refund of the item price - no questions asked!Please note: any shipping and packaging charges incurred during the transaction are non-refundable. Leaving neutral or negative feedback concludes the transaction and voids this guarantee. Synopsis* (possible spoiler alert) Bosko's HolidayThe cartoon opens with the phone ringing loudly, while Bosko is sleeping. The anthropomorphic telephone can't get its owner to wake up no matter how insistently it rings, since he is a heavy sleeper. It then turns its attention to an anthropomorphic alarm clock sleeping nearby, snoring with a "tick tock" sound. So the phone wakes up the alarm clock, so it can wake Bosko up. The alarm clock also has trouble waking up Bosko. He does not respond to its own ringing with bell-like sounds, nor to it hitting a brush against the bedpan. The alarm clock finally pokes him in the bottom with one of its pointy hands, waking him up. He wakes up screaming. Bosko goes to the phone, and answers a call from Honey. She invites Bosko to a picnic, and Bosko seems pleased with the idea. She asks him to hurry up, says goodbye and then hangs up the phone. Bosko quickly gets ready for the excursion. The phone says "Scram, Bosko, scram!". Bosko goes to get his car. The garage looks like a big doghouse, and Bosko summons the resident. Out comes not a dog but a car with a personality of its own. He gets into the car and leaves. Several little cars, presumably children of the big one, follow them. He stops to tell them to go home. He then remarks "Ain't that cute"? The car is driving itself, leaving Bosko with nothing to do during the ride. Then, Bosko gets a banjo and sings, until a string breaks. So Bosko takes a mouse's tail to use as a replacement. The mouse seems to serve as an ornament in the car. The mouse is pretty mad at Bosko for taking his tail. As soon as Bosko arrives at Honey's house, the banjo strings come off. He then tries again to pull the mouse's tail off, but the mouse pulls its tail away and sticks his tongue out at Bosko. It then leaves. Bosko again responds "Ain't that cute", and sticks his own tongue out. Bosko arrives at Honey's house to get her for the picnic, and calls her from the house's front yard. She comes out to her balcony and says "Hello, Bosko". Honey's dog follows the car. The car tries to drive up a very steep hill and path, and consequently goes stuck. Bosko gets out and tries to push the car. The dog pulls Bosko's pants, which makes him let go of the car. The car consequently goes backwards and knocks Bosko out. The dog licks Bosko, he regains consciousness and replies with "Hey!". He is about to kick the dog, when the dog escapes. Bosko gets the car moving, and the dog comes back and bites a tire. This act causes the air from the tire to be sucked out, into the dog. It inflates like a balloon. Bosko gets mad and sucks the air back to the tire. The unhappy dog leaves, but soon comes back. When the trio walk to the picnic location, they find a log. They put the picnic basket there and start conversing. Bosko whispers an ungentlemanly suggestion to Honey's ear, which causes her to stand up in a huff. Bosko resorts to tempting her with food. He eats a sandwich, chewing noisily with his mouth open, and says it tasted sure fine. She seems tempted. The dog licks Honey's bottom, but she thinks Bosko did it. She slaps him and leaves in anger. Bosko says "Aw, nuts" and the film ends. Bosko Shipwrecked!Bosko, the captain of a ship, is shipwrecked on a desolate island, where he is awoken by the monkeys and birds inhabiting the island. Once gaining consciousness, he is pursued by a lion and wanders into a native village, which subsequently leads to him being cornered by the inhabitants of the village. Bosko's Soda FountainBosko, depicted as the owner/runner of a soda shop or ice cream parlour, serves sodas to a mouse and his old teacher (a hippo). His teacher's soda is sprayed in her face by a fan, causing her to leave the shop in anger. Then a dog enters the building and eats a pile of ice cream, causing the dog's body to become square-shaped. Bosko discovers what has happened to the dog and used its body as an accordion. Meanwhile, Honey's bratty and spoiled cat-like son, Wilbur demands an ice-cream cone after rehearsing singing and the piano against his will. Bosko sends the dog away, and then delivers an ice cream to Wilbur. Wilbur dislikes the flavour Bosko delivered to him (vanilla) and rudely retaliates, which ends in Bosko sitting, surprised, in the washing basket with a pair of underwear on his head. Bosko at the ZooBosko brings Honey to the zoo on the handlebars of a bicycle. Inside the grounds, the encounter an angry lion before discovering an aquarium. The perspective shifts to the inside of the tank, where two fish playing a game similar to leapfrog are scared off by a menacing fish who turns towards the audience and blows bubbles. More fish join an octopus and swing from its arms in the manner of a maypole. An ostrich takes advantage of distracted Bosko and bites his bowler hat off his head. Bosko leaves Honey behind for the remainder of the short and chases the ostrich. He attempts to catch it with a lasso, anchoring the rope to a tree, but the ostrich pulls the rope away tossing Bosco up into the air. He lands on a porcupine, pulling off its coat of needles, which the bare-skinned porcupine in human underwear yanks away from him. Bosko then finds the ostrich and orders it to sit in a nest. He waits for it to hatch an egg and cracks it open, to reveal the bowler. The ostrich, speaking garbled nonsense, makes gestures that suggest negotiation. In an attempt to cheer up the bird, Bosko plays a tune on a woodwind instrument he pulls out of his pocket. He then hums a variation of the snake charmer song, prompting the ostrich to do a stylized belly dance. Three beavers witnessing this from a nearby enclosure bang their tails; a marsupial in the same enclosure dances along, pausing for a few beats as two of its young jump out of its pouch and land back inside. Further on, two monkeys in a cage scratch themselves, looking for fleas. One monkey finds a flea and puts it on a plate and pretends to eat it, so that he can stab the other with the fork as a gag. Bosko steps into the cage and chases the monkeys to the end. To punish the jokester monkey, he gives it a spanking, referencing a similar moment in the early Bosko short "Congo Jazz." Just like in that short, a large ape who appears to be the monkey's parent confronts Bosko, who is then chased the length of the cage. They find the jokester monkey at another end of the cage. The monkey kicks Bosko in the shins and the ape chases him again, to yet another end of the cage, this one with a window. Bosko leaps from the window and catches a vine that turns out to be a giant snake. He tumbles to the ground and lands in the lion's den, awakening the lion. The lion chases Bosko. The ostrich sees them coming and dashes through a walrus pool, jumping on the walrus's back. The walrus sprints on its fins to catch up with the ostrich. They reach the wall of the zoo just a moment before Bosko, who jumps over their heads onto the coping stones of the wall. The lion crashes into the walrus and the ostrich, forming a three-headed animal ball that roars, barks and quacks, ending the cartoon. The Booze Hangs HighThe scene opens with a close up shot of a cow's rear end. She moos as she walks away, tail and udders swaying in time to Turkey in the Straw. Bosko appears and does a Mexican style dance with the cow. At one point, the cow's "pants" drop, revealing polka-dotted underwear. Bosko points at it and laughs, at which the cow pulls her pants back on and walks off in a huff - with her nose up and tail held erect. Next, Bosko laughs heartily at a horse and the horse laughs back. He then climbs onto the horse carriage and uses a whip to play the horse's tail like a violin. He "tunes" the horse by twisting his ear. The horse seems to enjoy the music and dances in an odd fashion. He skates along, floats a few feet above the ground and makes swishing movements, with his hooves, as if mimicking a mop. Bosko then takes a pitchfork and starts playing it like a banjo, as the horse begins trotting on two legs. The scene cuts to three ducklings and their mother. Whilst walking in single file, they start bouncing on their rears in tune to the music. The mother duck starts to sway and the ducklings follow her lead. One of the ducklings, crosses its legs and whispers something in the mother duck's ear. She undoes a flap on his rear, as if he was wearing pants, and motions him off screen, presumably to relieve himself. When he returns, she replaces the flap and they all jump into a pond. The scene moves back to Bosko and the horse. It seems to be an exact repeat of the earlier dance routine, with Bosko playing the horse's tail while the horse goes through his unique dance moves. Bosko eventually slides down the horse's neck and goes to feed the pigs, who seem to be squealing in hunger. He tilts a trash can into their trough, and they eat greedily. One of the piglets finds a bottle of booze and tries to loosen the cork. Eventually, he manages to open it using the other piglet's tail as a corkscrew. Bubbles begin to float out, and the piglets pop them merrily, making xylophone-like sounds that play How dry I am. They start drinking it and soon get drunk. Their father comes over and starts drinking from the bottle too. He laughs with a deep bass guffaw and sings One Little Drink, using nonsense syllables. He gestures expressively and flings the bottle away which shatters against Bosko's head. Bosko becomes soaked in booze and inebriated. He walks over to the pigs and they sing Sweet Adeline together, barbershop style. The father pig launches into One Little Drink again, but the effort causes him to belch up a corn cob. Looking embarrassed, he uses his belly button like a knob to open the door to his stomach and puts the cob back inside. He starts to sing again and Bosko helps him reach for the final low note by pulling his tail, which deflates him temporarily. Bosko and the pigs dance some more until the end credits. Big-Hearted BoskoA skate-clad Bosko leaps and prances upon the ice, his dog Bruno barking rhythmically, here and there narrowly avoiding sliding into patches of yet-unfrozen water; the poor canine cannot keep up with his master forever and eventually slides into the frigid pond. The dog's howling catches Bosko's attention and, as Bruno sinks, our hero wonders aloud desperately what he should do. But the lost creature pops mockingly out of a nearby hollow log, taunting Bosko, who breaks a branch from a nearby tree and tosses it to the wind for Bruno to fetch with great enthusiasm. Coming upon the stick, Bruno is spooked by the sound and movement coming from a covered basket: running back to alert his master, the dog bumps into a young tree and is forthwith buried in snow. Undeterred, the animal continues back to the basket, now accompanied by Bosko, who warns his friend to stay back. But, finding the contents of the basket to be harmless, Bosko invites Bruno to check under its cover: a baby in a bonnet pops out, squeezing Bruno's nose when the animal comes too close. Repelled, Bruno's plight is lovingly laughed at by Bosko, who merrily orders Bruno to carry the basket home. Off skates Bosko, Bruno and baby behind; the infant cries as Bosko scats a lullaby. Back home and by a roaring fire, Bruno rocks the baby in his cradle as Bosko plays a gentle theme on a violin. Still, the baby cries; for all Bosko's plucking and Bruno's grinning, still, the baby cries. Frustrated, the dog storms off, taking an unlucky seat upon the hot stove. Behind aflame, Bruno leaps about in anguish, quenching the fire at last with a bucket of water. At this, the whiny infant laughs! But this mirth is short-lived: the hollering springs afresh and Bosko, abandoning his fiddle, takes up a fife, intoning "The Waxies' Dargle" to Bruno's percussive accompaniment. When this avails naught, Bosko tries verbally to comfort the foundling, who complains in song. Bruno again storms off, this time to the bathroom; he slams the door, jostling a lintel-mounted cuckoo clock, which falls from its perch, hits the dog on his head, and mocks the creature's resultant daze with a timely "cuckoo! Cuckoo!". The baby cries. Bosko tickles his charge and then leaps for the piano; he intersperses his performance with shadow puppetry. Bruno reenters, happily joining the musical act by donning a lampshade as though it were a hoop skirt. Finally, the baby seems happy. Bosko dances off, skating upon a rug up to his stove, popping open the oven-door briefly to reveal a live bird in a roasting pan. Our hero skips back, finally sliding into a decorative column, knocking over a small fish bowl, which flips over upon his head to the giggles of his audience. Bosko and BrunoBosko and his dog Bruno are walking down the railroad tracks. Halfway across a trestle, they realise that a train is coming up fast behind them. They run as fast as they can and jump onto a a handcar, which is conveniently sitting on the tracks. Bruno accidentally gets his foot caught in the turnout. Bruno escapes and hide under a trapdoor in the tracks. Bosko didn't see this, and thinks Bruno is dead. When the train has passed, Bruno pops out and teases his master for crying. Bosko is mad at his pet's actions and chases him into a tunnel, but they soon hear another train coming up behind them. Fortunately, it turns out to be a cow lowing. Now off the railroad tracks, Bosko and Bruno find some chicken tracks and follow them to a nearby coop. The two then try to steal a chicken so they can have some eggs, but a lawman chases them with a shotgun. They run from him and jump on top of a train. The boxcar they're on uncouples and rolls downhill and through a tunnel, where they find themselves now chasing the same cow from earlier. Bosko's PartyBosko whistles "It Ain't Gonna Rain No Mo" as he walks in the pouring rain. His umbrella proves to be useful when he has to cross a flooded street. Elsewhere, Honey is getting dressed and putting on makeup. When she is putting on her nightgown, she realises that the audience is looking at her. She attempts to hide herself, but it's too easy to see. When Bosko arrives he is greeted by a friend of Honey's. Honey doesn't realise it, but several of his friends are downstairs waiting for her. Turns out, it's Honey's birthday. However Honey's dog causes some trouble. Worst of all, her kitten Wilber is hiding under a flowerpot and is stuck. When he does get out, an encounter with a mouse trap makes him dive into the cake. Bosko's Dog RaceBosko and Bruno cook an egg on a campfire. The smell of the cooking lures a squirrel, which steals the egg. They chase the squirrel through the woods until they come to a billboard advertising a dog race with a big cash prize. Bosko at the BeachBosko the hot dog vendor is at the beach pushing his cart as his weenies dance and play. An octopus and some seahorses dance by the shore, then join together to form a merry-go-round, which some scallops hop out of their shells to ride. Bosko's dog Bruno gets a nail stuck in his paw. Bosko pulls the nail out, and Bruno thanks him with a big lick on the face. Elsewhere Honey and Wilber are skipping along the shore, but Wilber gets swept off his feet by the waves over and over again. Honey starts to play her ukulele but stops when her kitten Wilber runs near the water. Wilber dips his toes into a puddle, but huge waves keep scaring him away. Bosko is still pushing his cart when he spots Honey. Honey tells him to wait as she is going to change in a wooden changing room. She changes out of her bathing suit and into her regular skirt. She and Bosko go to a picnic and start singing a song. The song is interrupted by Bruno's barking. Bosko tries to get rid of him by throwing a stick for Bruno to fetch. They keep singing until Bruno comes back, with a bigger stick. Bosko throws that but Bruno returns with a log, and Bosko throws that too. Bruno comes back this time with a huge tree, which he drops right on the picnic blanket, flipping a jar of jam up into the air and down onto Bosko's head. Wilber, still playing in the puddle, gets washed out to sea and calls out for help. Bosko hears him and jumps into the water, but the surf retreats, and Bosko finds himself on dry land. Bosko jumps in again, performing what he calls a gravity-defying swim, but the waves keep pushing the two apart. In a last ditch effort, Bruno ties an electric fan to his tail, hops on a log, and floats out into the water. He turns on the fan, uses it as a propeller, and saves Bosko and Wilber. Bosko's StoreThe story opens with Bosko scatting and whistling a happy tune as he cleans the window of his general store. A telephone rings and Bosko answers; a voice on the other end makes a fairly unintelligible request that Bosko interprets as one for bologna. Bosko turns on a small electric fan after retrieving a sausage from which he chops thin slices using the spinning blades. As the slices fall onto a scale, Bosko's dog, wafted thither by the scent, approaches master and meat. The naughty canine paws the empty balance of the scale, reversing it and flipping the cold cuts into his salivating maw. This he repeats as the whistling Bosko absent-mindedly further depletes the bologna. The dog's shape reflects his gluttony, becoming more sausage-like as he devours more of the delicacy; once Bosko realises that his meat has disappeared, the animal cannot disguise his guilt. He dances, making accordion-like sounds as he hops away; pursued by Bosko, he runs carelessly through another fan, slices of his body being cut off in the process, rejoining at once upon hitting the other side of the floor. Having enjoyed the run, our laughing hero forgets his trouble and begins to dust the shop as he dances about: he dusts eggs out of which live chicks pop and a lady in an advertisement who smacks him with her rolling pin (for the affront!) A miniature Mickey Mouse-counterfeit uses the pulley of a window blind in order to reach a telephone, whereat he rides the rotary dial as though it were a merry-go-round. It seems that "Mickey" was dialling the store's number, and a telephone rings across the room. Bosko answers it; pseudo-Mickey's mouthpiece having fallen, he must slide down the wire in order to speak and climb up again to hear Bosko's response. "Have you got any dry fish?" he asks; Bosko says that he has. "Well," the prankster replies, "give 'em a drink!" Bosko steps out and sweeps his porch while dancing, his broom his partner; he lifts up a large, sleeping dog in order to sweep under it. Enter Honey with a frilly umbrella and her bratty, feline piano-protégé (also seen in Bosko's Soda Fountain.) Greeting her beau, she requests of him a nickel for a nearby player piano; eating Bosko's coin greedily, the pianola starts the music. The lovers dance together, Honey scatting, Bosko stopping only when he spots Honey's charge picking and eating his bananas. The youngster plucks another and fires its soft yellow fruit square at Bosko's reprimanding face. Stumbling back into the store, Bosko falls into a basket connected to a pulley; the tormenting kitten pulls it, raising Bosko high into the air and across the room and, eventually, into the wall, whereupon our hero tumbles down to the floor. Staggering about, Bosko comes to a rest at a cash register whose keyboard's being depressed by Bosko's hand releases its drawer, which strikes Bosko, knocking him backwards again. Back, back he stumbles into a barrel of molasses which falls over, drenching him in its miry, brown former contents. Stuck as in quicksand, the irate Bosko cannot free his feet to chase the little devil, who taunts him accordingly. The scamp climbs a nearby hanging thread to a high shelf only to find that the thread is on a spool; once it has run out, the cat falls toward a store-counter and onto the crank of a meat grinder, spins about on it, is flung into the air, and falls into the grinder, coming out on the floor in droplets that transmute at once into tiny clones of himself and which then rejoin to the victim's bewilderment. Bosko is helpless until he frees his feet from his shoes; that done, the stocking-footed Bosko pursues his tormentor, as the little cat ascends and rides a wheeled ladder, knocking over cans from a high shelf as he does so, which cans, falling, strike poor Bosko's head. Cornered at last, the imp spies a large spool of woollen thread: reaching for the counter on which it sits, he, taking the end, slyly slips between Bosko's legs and runs, scorching Bosko's rump with the quick-withdrawing thread as he does so. The beaten Bosko holds his pained posterior as the iris unceremoniously shuts. Bosko the LumberjackAutumn leaves aflutter, lumberjacks ply their trade in a forest: a two-man saw is found to require the strength of only one man, as his compatriot, a mouse, hangs off his handle, swinging about, his legs too short to touch the earth; another pair of loggers make more typical use of their gear, except that, as each pulls the other in order to make the necessary movement of the saw, the other's trousers drop revealingly. A fresh log slinks away, up a slope, up to a platform, from whence it jumps off to a waiting transport. Having made the requisite cut through a tree trunk, another lumberjack, without felling his tree, strategically cuts its trunk such that twelve discrete little logs, roughly equal in length, are produced, each creative strike batting away another log such that the twelve form a neat pile off to the side, each making a tone of the chromatic scale as it falls, like the bars of a xylophone. Here, a centipede-logger debarks a great tree as his many arms and axes swing one after the other at a great patch and here, we find a great, burly shadow hammering away at a stout and still adversary - and in the burgeoning light of the rising Sun, why should it not be little Bosko taking his hatchet to a sapling? Felled, the trunk struggles for dear life, reaching out its little boughs if only to grasp the empty air before it falls limp. And off whistles Bosko, here leaping over a log, here sliding along another young tree; he stops briefly to take his axe to the antlers of a moose, but is dissuaded from his course by the creature's protest. He happens on a tree; rubbing his hands & spitting in readiness, he swings his tool, disturbing thereby a skunk who lodges there: the angry tenant airs his grievance, first in word, then in deed: he releases his noxious spray and thus ends Bosko's visit. Our hero runs off into a thin tree and sits in a daze for a moment as leaves fall gently about him; a woodpecker swoops in and pecks at the same tree and Bosko, recovering, sees the bird's usefulness to the logger: clutching his avian tool, Bosko fells a tree in record time and pats his little friend on the head for his service. Then, Honey calls; Bosko rushes over, excited to see her. She bears a basket bearing Bosko's lunch; delighted, he reaches in to claim a sandwich, which he noisily munches for the benefit of his sweetheart, who sways admiringly next to him. "Dat sho is fine!" he proclaims. A great logger sits on a wooden girder above: he saws two slices off of a log and lays a handful of nails between them; this sandwich is his rugged luncheon, which he chews methodically, bite by bite, stopping to dislodge the occasional bad nail. Our hero and his sweetheart are swaying chastely next to each other when this same gourmet hungrily eyes Honey. Taking to a winch upon the girder, the villain lets out a rope whose end contains a hook, which same eagerly takes Honey by her skirt; winding up the rope, the villain has the terrified girl in his clutches. "By Gar," he growls, "now you give Pierre big kiss!" He menaces and she withdraws. Bosko cries out against this affront; mounting a ladder, he confronts his rival: "You cur!" he cries. The brute knocks him down the ladder with such force that Bosko's bottom dissevers the rungs as he passes effortlessly through them; hitting earth, Bosko bounces onto a log headed, unbeknown to him, for a circular saw, which begins to spin and take in the mechanically-conveyed log just as Bosko touches it. The saw's action scorches Bosko's poor rump and our hero leaps up, delaying only a moment to ease his pain. Above, the villain pursues still his reluctant prey: Honey swings away on a cord which activates a steam whistle, whose exhaust blasts the glowering bully in the face. But Honey is trapped, dangling at the bottom of the cord, and her tormentor, now on firm ground, can simply reach up and grab her. Bosko spies this as the cur is fleeing; the cur, squeezing, as it seems, an inconveniently placed sapling tapped, apparently and strangely, for syrup-production, squirts Bosko's face with sap, delaying him momentarily. A river runs through the forest. Now, the villain has Honey in a row boat; Bosko must settle for a hollow log by the bank, which, as it turns out, luckily, is manned by three mouse-rowers. "Stroke! Stroke!" he orders the crew by makeshift bullhorn. Before long, both reach land: the villain steals away to his little cabin, barely evading little Bosko. The brute blocks the door as Bosko bangs to demand entry; a moose's head mounted on the wall, its antlers bearing aloft a shotgun, we find able to use its antlers as arms as it dexterously fires a few rounds from the gun into the seat of Pierre's pants. The door freed, Bosko storms in, fists at the ready: the cad knocks Bosko away such that his little body strikes the four rafters of the house in quick succession; he slides along the floor, under the bed in the corner, emerging with a literal cracked crown. But our hero is in the fight yet; this time, the brute sends him flying through the stove and out through its network of pipes, sliding along the floor, under and into a bear pelt-rug which, thus donned, makes Bosko appear a live grizzly! He runs headlong into a wall and a bear trap as his enemy grinds his teeth in pursuit. On his guard, brandishing an axe, Bosko swings high and catches an unlucky barrel just behind him as the cur gets close; with all his strength, Bosko swings axe and barrel onto the villain's head. Dazed, bound by the compromised barrel's rungs, defeated, Pierre the amorous lumberjack falls. Our damsel-no-longer-in-distress proclaims Bosko her hero; she kisses him and he falls dizzily backwards into the wall, from whose height falls a portrait of Napoleon, whose head is pierced and thus replaced by Bosko's. "La Marseillaise" comes through as Honey proudly salutes her wide-grinning champion. Bosko and HoneyHoney is a music teacher; her pupil is a kitten who hates the violin. No matter how much Honey tries, the kitten continues to play the violin terribly. She calls Bosko, who happens to be asleep. Bosko's dog Bruno attempts to wake him, only to fail. He answers the phone himself by knocking it down and answering it with a receiver. Honey asks Bruno to wake Bosko, so he attempts to do it again. He gets help from the phone, using it as a whistle, and knocks the receiver down to the ground. Bosko finally wakes and tells Honey that he'll be over there as soon as he can. When he arrives, he and Honey start to sing and dance and play music. The kitten responds to this by dumping bathwater into Bosko's saxophone. Despite this Bosko continues to play even though bubble water is emerging from the bell. Honey dances right on the soap bubbles, descending from her balcony to the ground as she pops. 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As an example, an item listed as "Good" condition, doesn't mean it is in good condition. It means it is the grading (as the second lowest), which best applies to the item. If you disagree with the grading system implemented by eBay and used in this listing, please do not buy this item. When an item is described as used, that means it is used. All known defects, blemishes or imperfections are noted in the listing. If you are wanting a new item, please buy one. Do not buy a used item and expect something brand new to be delivered - especially for $3.00 with free postage. If something is described as having medium to high level scratching, expect it to have medium to high level scratching. Complaining that your item showed up scratched when that is exactly how it was described casts serious doubt on your character and/or intelligence. Once again, if you are after a blemish free item, please buy it new. Used CDs, DVDs and Blu-ray discs are checked for defects under warm light, cool light and natural light. They are then tested on a Laser BLU-BD4000 Blu-ray player, while console games are tested on the relevant gaming console. Due to varying levels of sensitivity between playback units, what works without fault on my test equipment may not work properly on your personal setup. I am not responsible for the quality or functionality of your hardware, and am in no way at fault if the disc doesn't function correctly in your system.Please Note: There is a known sensitivity issue with LG - DV582H DVD players. In the unlikely event of something going wrong, you agree to contact me first before taking any other action. You agree to assist me with any investigation by providing any/all requested information as soon as possible. All items above $15.00 in value, and all items larger than a letter will be shipped with tracking. To avoid damage in transit, all items are packaged in a professional manner for shipping. This is NOT negotiable. Any requests for modifications to packaging practices will be declined. Not only do I know what I'm doing, but I don't tell you how to do your job - so don't tell me how to do mine! Just because an item is listed as "free postage" does not mean that postage is free. It is not. It means that the postage cost is factored into the sale price, and borne by the seller. Any refunds provided will have the actual postage and packaging charges, along with all applicable fees deducted from the refund amount you are given. Never assume. If you find any missing or incomplete information in a listing, please ask for further details. I'm always only too happy to help out whenever I can, and would appreciate the opportunity to revise the listing. My hours of operation vary each day, but I am generally available during the following Sydney times; DayHoursMonday12pm - 10pmTuesday10am - 2pmWednesday12pm - 10pmThursday10am - 2pmFriday12pm - 10pmSaturday10am - 2pmSunday12pm - 10pm Purple monkey dishwasher! I just thought I'd toss that in there to see if you're paying attention. Quote this phrase in the buyers note during checkout to receive a 10% discount on your order. Finally, if you don't agree with all of the above, please find another seller.
Price: 24.95 AUD
Location: South Bathurst, NSW
End Time: 2025-01-30T04:48:47.000Z
Shipping Cost: 15.36 AUD
Product Images
Item Specifics
Return shipping will be paid by: Buyer
Returns Accepted: Returns Accepted
Item must be returned within: 30 Days
Region Code: DVD: 4 (AU, NZ, Latin America...)
Season: N/A
Video Format: PAL
Case Type: Tall/DVD Case
Rating: G
Director: Various
Studio: Avenue One
Type: Dvd
Format: DVD
Release Year: 2000
Language: English
Actor: Carman Maxwell, Bernard B. Brown, Johnny Murray, Billie "Buckwheat" Thomas, Philip Hurlic, Don Messick
Features: Black & White
Run Time: 90 Mins
Genre: Children & Family
Movie/TV Title: Bosko : Vol 2