Description: Anachronic Renaissance by Alexander Nagel, Christopher S. Wood A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists-a landscape obscured by art historys disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or "image made without hands"), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Author Biography Alexander Nagel is Professor of Renaissance Art History at the Institute of Fine Arts in New York, and the author of Michelangelo and the Reform of Art. Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000). Review Anachronic Renaissance is a book so rich, challenging, and stimulating that every critique runs the risk of appearing as nitpicking.... In its intellectual ambitions…[it] seeks to reconceptualize nothing less than the idea of Renaissance art, north and south of the Alps. It is a fascinating, learned, and honest invitation to discussion, a must not only for Renaissance scholars.—CAA ReviewsA daring attempt to rethink the authority of images in the Renaissance and their relationship with time.—Bookslut Long Description A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists-a landscape obscured by art historys disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or "image made without hands"), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Review Quote "Within a work of art a multiplicity of times can coexist in such a way as to produce a disorienting effect in its audience. How is this in evidence in works of Renaissance art? How do they confront the great changes introduced by printing, which renders images reproducible? How is it that references to different periods enter into the heart of a work, such as to become almost a manifesto of a poetics, expressions of a whole conception of the work of art and of its history? And what are the boundaries between copy, fake, and citation? These are the central themes of a fascinating and difficult book, which demands from its reader a commitment that it does not disappoint." ---Lina Bolzoni, Il Sole 24 Ore Details ISBN1942130341 Author Christopher S. Wood Pages 456 Publisher Zone Books Series Zone Books Year 2020 ISBN-10 1942130341 ISBN-13 9781942130345 Language English Format Paperback Publication Date 2020-04-14 UK Release Date 2020-04-14 Imprint Zone Books Place of Publication New York Country of Publication United States NZ Release Date 2020-04-14 US Release Date 2020-04-14 Audience Age 18 Alternative 9781935408024 DEWEY 709.024 Audience General AU Release Date 2020-06-22 Illustrations 120 b&w illus.; 240 Illustrations We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:127186873;
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ISBN-13: 9781942130345
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Book Title: Anachronic Renaissance
Item Height: 276mm
Item Width: 184mm
Author: Christopher S. Wood, Alexander Nagel
Format: Paperback
Language: English
Publisher: Zone Books
Publication Year: 2020
Number of Pages: 456 Pages