Description: A Student Publication of the School of Design, North Carolina State College Volume 6, No. 1, 1956 Félix Candela | Duncan Stuart | Pier Luigi Nervi | Antonio Gaudi Don Harms, Murray Whisnant [Editor]: A Student Publication of the School of Design. Raleigh, NC: A Student Publication of the School of Design, North Carolina State College, Volume 6, No. 1, 1956. First edition. Square quarto. Photo illustrated wrappers. 28 pp. Illustrated articles with period correct design and typography. Former owners ink notation to first page, otherwise a nearly fine copy. 8.5 x 8.5 softcover publication with 28 pages of nicely designed and illustrated content from the School of Design at North Carolina State College, circa 1956. Contents: Felix Cardellah: Preface from “Philosophy of Structures” The Architecture of Antonio Gaudi Pier Luigi Nervi: The Importance of Construction Techniques Duncan Stuart: Time Drawing Félix Candela: Toward a New Philosophy of Structures (Con’t.) Félix Candela Outeriño (Spain, 1910 – 1997) was a Spanish and Mexican architect who was born in Madrid and at the age of 26, emigrated to Mexico, acquiring double nationality. He is known for his significant role in the development of Mexican architecture and structural engineering. Candela’s major contribution to architecture was the development of thin shells made out of reinforced concrete, popularly known as cascarones. In 1927 Candela enrolled in La Escuela Superior de Arquitectura (Madrid Superior Technical School of Architecture), graduating in 1935; at which time Candela traveled to Germany to further study architecture. Early after he started classes, he developed a very keen sense of geometry and started teaching other students in private lessons. In his junior year, his visual intelligence and his descriptive geometric and trigonometric talent helped him catch the eye of Luis Vegas. Vegas was his material strength professor, and gave Candela the honorary title of “Luis Vegas’ Helper”. While “helping” Vegas, Candela entered many architecture competitions and won most of them. Unlike many of his peers, Candela didn’t show intellectual or aesthetic efforts in school. He didn’t even like pure mathematics. When Candela was a student in Madrid, the schools taught the theory of elasticity where Candela assisted the professors and even tutored other students. His studies ended very quickly when the Spanish civil war began in 1936. When Candela returned to Spain to fight, he sided with the republic and fought against Franco. Candela became a Captain of Engineers for the Spanish republic after a short period of time. Unfortunately, while participating in the civil war, Candela was imprisoned in the Perpignan Concentration camp in Perpignan, France until the end of the war in 1939. Candela had fought against Franco; therefore he could not stay in the new Spain as long as Franco was the head of state. After his name was selected with a few hundred other prisoners, Candela was put onto a ship bound for Mexico, where he would start his career. He landed in Acapulco later that year. As an expert of paraboloid and hyperbolic geometry, he was drawn to experiment on a series of residential and commercial shell-shaped structures since the beginning of his career. Candela evaluated both the artistic and the cost-saving aspects of this kind of design choice. Candela worked very hard during his lifetime to prove the real nature and potential reinforced concrete had in structural engineering. Reinforced concrete is extremely efficient in a dome or shell like shape. This shape eliminates tensile forces in the concrete. He also looked to solve problems by the simplest means possible. In regard to shell design, he tended to rely on the geometric properties of the shell for analysis, instead of complex mathematical means and he followed the works of Eduardo Torroja in Europe and Guillermo Gonzalez Zuleta in America. Around 1950 when Candela's company went to design laminar structures, he started researching journals and engineering articles for as much information as he could find. From this, he started questioning the behaviour of reinforced concrete with the elastic assumptions and concluded they are in total disagreement with each other. (Faber 1963) Candela has said on more than one occasion that the analysis of a structure is a sort of "hobby" to him. Félix Candela worked as an architect upon his arrival in Mexico until 1949 when he started to engineer many concrete structures utilizing his well-known thin-shell design. Candela did most of his work in Mexico throughout the 1950s and into the late 60s. He was responsible for more than 300 works and 900 projects in this time period. Many of his larger projects were given to him by the Mexican government, such as the Cosmic Rays Pavilion. In 1956, Mexican President Adolfo Ruiz Cortines said “Nothing could be more serious than to sit in the shade of the buildings we are about to build,” foreshadowing the many construction projects to come. Ruiz Cortines came up with a budget to enable his construction declaration to come true, requesting 81,200,000 (pesos) more funding than was used in 1955. Luckily for Candela, 20,300,000 (pesos) of this funding was to go towards public works. Candela also benefited from the budget implemented by Ruiz Cortines in the area of education. Candela became a professor in Mexico, which is what he did for the remainder of his career. Felix moved to the United States and taught at University of Illinois at Chicago from 1971-1978. From the North Carolina State University College of Design website: "The Student Publication began as a tribute to Matthew Nowicki after his untimely death in 1950 at the age of 40. His influence and inspiration as head of the Department of Architecture inspired the students to create The Student Publication in his honor, and so the first issue focused on Nowicki’s contributions to the College, the University and the field. Through the process, students realized the potential and importance of such a publication and collection of voices, that they continued the effort, focusing on timely and important issues in the field and inviting some of the most important and influential designers of the day to contribute letters, projects and articles. Such luminaries included Le Corbusier, Mies Van der Rohe, Buckminster Fuller and Richard Saul Wurman." 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