Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola RecordsMore great Jazz and Vocal Records in my other listings! THE HOTTEST BAND OF SAN FRANCISCO from the Peacock Court of the Mark Hopkins Hotel on Top of Nob Hill: ANSON WEEKS AND HIS CALIFORNIA ORCHESTRA:When My Ship Comes In / Okay Toots (Ben Gage, vocal)written by Gus Kahn, Walter Donaldsonboth from MOVIE Kid Millions WHEN MY SHIP COMES INBrunswick New York, October 1, 1934ANSON WEEKS AND HIS CALIFORNIA ORCHESTRA:Anson Weeks-p dir;Pete Fylling, Frank Hubbell, Frank Barton-t/Jim Walsh-tbNeely Plumb, Phil Bodley-cl-as/Earle Maorgan-cl-ts/Al Burton-vnBilly O’brien-p/Frank Saputo-g/Ted Walters-tuba-sb Abbey Brown-d AUSTRALIAN Laminated Columbia Issue 10" 78 rpm CONDITION: EXCELLENT minus unworn light rubs, faint needle run start of TOOTS NAP, plays E very quiet A SUPERB COPYOakland-born Anson Weeks was king of Nob Hill hotel dance bands during the 1920s and 30s, with a long run at Hotel Mark Hopkins. He formed his first band in 1924, and played in many famed Oakland and Sacramento hotels. In 1925, his band cut a test disc in Oakland for Victor Talking Machine Co., but, apparently, Victor executives failed to offer a contract, and the recording of “New Moon” was never issued. By the late 1920s the Anson Weeks orchestra was increasingly popular along the West Coast, because of nightly radio broadcasts. His big recording break came in May 1928 when Columbia Records waxed “Dream House” and “Wob-a-ly Walk.” January 29, 1929 saw his first recordings as “Anson Weeks and His Hotel Mark Hopkins Orchestra” for Columbia Records. He recorded under the Hotel Mark Hopkins moniker through 1932. Weeks broadcast almost nightly in 1930 from Hotel Mark Hopkins, for KFRC, and NBCs West Coast network. His “Lucky Strike Magic Carpet” radio program was broadcast coast-to-coast from the Mark on NBC during 1931. A five-minute sample of those MacGregor and Sollie transcriptions may be heard here. The three songs excerpted from the Hotel Mark Hopkins broadcasts are valuable examples of what made Weeks’ orchestra one of the most danceable in the nation. The excerpt opens with Mr. Bunker discussing the success of the orchestra, in Peacock Court of Hotel Mark Hopkins, with Anson Weeks. That is the cue to begin a two-song medley, “Singin’ in the Rain” introduced in the M-G-M talking picture The Hollywood Revue of 1929, and the old standard, “Sweet Georgia Brown.” The third selection from this broadcast excerpt is a very obscure, but outstanding example of why Anson Weeks was so popular. “’Round My Heart” showcases a sensational piano duet performed by Mr. Weeks, and future bandleader Griff Williams. The duet begins quietly behind the vocal chorus, and then continues for a chorus. Note that a string bass is used through most of the performance, and then a tuba is used following the piano duet. “’Round My Heart” is copyright 1932 by Famous Music (now Paramount-owned). Lyrics are by Joe Young, with music by Carmen Lombardo, the co-composer of “Coquette” and other hit songs of the era. A second, almost complete Anson Weeks broadcast, is available online. This broadcast features the original 1932 opening announcement, first and second selections, and the closing song of the broadcast. The medley has been deleted for two reasons; first, it was relatively pedestrian and deletion of four minutes of the broadcast keeps the nine-minute MP3 file to about 1 meg. This broadcast opens with Walter Bunker, Jr., introducing a new George and Ira Gershwin song, “Delicious,” from the motion picture of the same name. The second song of the broadcast, sung by Pete Fylling, is “Why?” written by Arthur Swanstrom, J. Fred Coots and Benny Davis. It is from the show “Sons O’ Guns.” Dialogue between Mr. Bunker and Mr. Weeks, extolling Hotel Mark Hopkins, is intact through the introduction of the medley. The medley has been deleted, and the recording goes directly from the introduction to the last song, “China Boy,” by Dick Winfree and Phil Boutelje; the treatment of which strongly suggests that the Weeks organization could have been a formidable jazz presence in San Francisco. This broadcast was digitally encoded from the 1932 MacGregor and Sollie transcription disc in the possession of Jack Bethards. Walter Bunker, Jr., the announcer, told the Museum’s webmaster that these broadcasts were recorded directly to disc, with no retakes because there were then no editing facilities for wax recordings. Mr. Bunker currently (2000) lives in Pebble Beach, California. Bing Crosby recorded one of his early best-selling recordings, “Please,” with Anson Weeks and the orchestra, September 16, 1932, at the MacGregor and Sollie studio. The early- and mid-30s saw a string of hit Columbia and Brunswick recordings by Weeks, some with vocals by Bing’s brother Bob Crosby, Carl Ravazza, Kay St. Germaine, and Dale Evans — later known as “Queen of the West,” after her marriage to cowboy star Roy Rogers. Weeks, injured in a 1941 automobile accident, left the band business, but returned in the late 1940s. 1956 brought a revival of Weeks’ career when his six-piece orchestra opened at the Palace Hotel in downtown San Francisco for a long run, and he recorded three albums for Fantasy Records. During the 60s he fronted a combo, mostly in the Sacramento area, and died there February 7, 1969. 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Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 39.99 USD
Location: San Francisco, California
End Time: 2024-12-09T18:31:39.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, ANSON WEEKS, ANSON WEEKS AND HIS CALIFORNIA ORCHESTRA
Format: Record
Material: Shellac
Genre: Soundtracks & Musicals
Record Label: Columbia
Record Size: 10"
Style: Animation Score/Soundtrack, Chanson, Comedy/Novelty Music, Educational, Field Recording, Film Score/Soundtrack, Interview/Dialogue, Minstrel, Monolog, Music Hall, Musical/Original Cast, Natural Sounds, Poetry, Prayers/Sermons, Radio Play/Show, Schlager, Special Effects, Speech, Stand-Up/Sketch, Storytelling, Vocal, Work Song, Big Band/Swing, Cabaret/Vaudeville, Drama, Political/Conscious, Public Service Announcement, Story, TV Score/Soundtrack
Speed: 78 RPM
Release Title: When My Ship Comes In / Okay Toots
Language: English
Catalog Number: DO-1330, 6990
