Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. I am currently selling a series of great Richard Wagner and classic European 78 rpm orchestral recordings on all the great European labels:This 1928 recording of AIDA TOMB SCENE 1&2, Julius Pruewer and Berlin State Opera with the finest of German singers : Felicie Hüni-Mihacsek, & Helge Roswaenge Es hat der Stein/ Sieh dort den Todesengel 12" Deutsche Grammophon 78 rpm record Condition: EXCELLETN PRISTINE plays , but rim chip on 2 first 3 mm causes clicks first 4 turns, then plays EXCEPTIONALLY quietA CHOICE COPYFelicie Hueni-Mihacsek Hungarian soprano, 1891 - 1976 Biographical notes: She was born in PTcs (Fnnfkirchen) and studied singing at the Vienna Music Academy with the famous teacher Rosa Papier-Paumgartner, former the respected contralto of the Vienna Court Opera. Having finished her studies Hnni-Mihacsek appeared as a guest at the Vienna State Opera in 1919 for the first time, as the First Lady in Die Zauberfl÷e. After further performances as Helmwige, Woglinde and a Flower Maiden, she officially joined the ensemble the same year. A month later she became the opportunity to sing the Falcon in the world premiere of StraussÆ Die Frau ohne Schatten. Apart from smaller roles during her first season she appeared in big parts such as Micaela, Agathe, Ighino, Dorabella and Elsa (in a new production unter the direction of Richard Strauss). Her second season brought her Sulamith (!) in GoldmarkÆs Die K÷nigin von Saba, Princess Eudora in HalTvyÆ s La Juive, Chrysothemis, Naiade in Ariadne auf Naxos and Donna Elvira, again under the baton of Richard Strauss. Mozart was to become her favorite composer throughout her career. The next season saw her as the Countess in Le Nozze di Figaro. It was Berta Kiurina with whom she shared most of her roles in Vienna. In 1922 Hnni-Mihacsek took over most of KiurinaÆs roles, singing Marie, Amelia, Antonia, Fiordiligi, Margiana in CorneliusÆ Der Barbier von Bagdad, Berthe in Le ProphFte, InFs in LÆAfricaine, Elisabeth and Donna Elvira. Hnni-Mihacsek took part in a number of premieres such as in HindemithÆs Cardillac and PfitznerÆs Das Herz. She even tried the Marschallin, but the role might have come a little early at this stage of her career. After 1932 she appeared fairly often at the Salzburg Festivals. Felicie Hnni-Mihacsek stayed in Vienna until 1925 where she was particularly admired by the direction Richard Strauss-Franz Schalk. Despite her artistic achievements in Vienna she felt strong competion and changed to the Munich State Opera. Here she enjoyed great popularity as one of MunichÆs leading sopranos for the next 20 years, enlarging her extensive repertoire by singing Gilda (!), Eva, Sieglinde and Ariadne. She finished her career in 1945 and became a sought-after tutor, giving her farewell appearance in Munich, 1953, as the Marschallin. The artist was married to the Swiss industrialist Alfred Hnni whose name she had adopted early in her career. Comment: Felicie Hnni-Mihacsek was the prima donna of the Munich State Opera for more than 20 years. Originally a coloratura soprano, she gradually assumed lyric and lyric-dramatic roles. She was generally considered one of the outstanding Mozart sopranos of the inter-war period. When listening to her recordings, she was at home in many styles. To me, one of the best recordings is her Mrs Ford (Nun eilt herbei). Her singing is witty, charming and bubbling over with vitality. Another superb record is for instance KonstanzeÆs ôAch, ich liebte so glncklichö. With the fine German baritone Willi Domgraf-Fassbaender (the father of Brigitte Fassbaender) she recorded a number of duets. Their rendition of the famous scene Nedda - Silvio from Pagliacci, is performed with ærealistic vitalitaÆ. Despite the German language both artists sing with personal approach and dramatic committment to that kind of music. Helge Roswaenge 29 Aug 1897 - 17 Jun 1972 Danish tenor Helge Anton Rosenvinge-Hansen (later Roswaenge, Rosvaenge, Rosvµnge) was born in Copenhagen in 1897 and studied Chemistry at the Technical College in his natal city, where he graduated as an engineer with honours. In voice, he was largely self-taught, but was for a time under the guidance of his wife to be, the hungarian soprano Ilonka Holndonner, whom he met in Schwerin, Germany, where Roswaenge was singing. She immediately recognized his potential and organized a successful concert performance with herself and the tenor. Engagements in smaller German theatres followed and his official debut came in Neustrelitz in 1921 as Don Jose in Carmen. In the years 1924-26 he was engaged by the Opera of Basel, then a member of the K÷ln Opera in the years 1927-30 and then at the Berlin State Opera during the years 1929-45. From 1930, he appeared regularly at the Wien Staatsoper, where he had made a guest appearance in 1927 as Don JosT. Salzburg hired him for the years 1932-39, where he had made his debut in Der Rosenkavalier and he was highly successful in Cairo in 1933 as Radames in Aida. He was also an eminent interpreter of Wagner's operas and sang Parsifal at Bayreuth in 1934 and 1936. The latter year he also made his Covent Garden debut and sang at theatres in Milano, Copenhagen, Stockholm, Brussels, Amsterdam, Munchen, Hamburg and Dresden. "With a steely voice, brilliant high notes and insistent declamation,"¦ Roswaenge was an impressive Andrea Chenier as well as an acclaimed and exciting Otello. Although he never performed the latter role on stage, he was often heard as the jealous stricken Moor on German radio. He was furthermore known as The Knight of the High D. Shortly after the 2nd World War, he was abducted in Berlin and deported to Russia. Following his release, he settled down in Wien and established himself as an engineer in the chemical industry. Yet, singing was very much at the core of his heart, and he resumed his career in 1949 at the Volksoper and the Staatsoper in Wien. In 1951 he received the Gold Ring of the Staatsoper, an honour he only shares with soprano Birgit Nilsson. From 1955 he also sang with the Berlin Staatsoper and was appointed Member of Honour. Roswaenge had a substantial career post-war in both Wien and Berlin, appearing in a wide spectrum of roles ranging from Mozart to Puccini and Verdi and Wagner. At one point he also led a theatre for operetta in Wien, where he himself starred as the Prince Sou Sou-Chong in Lehßr's Land des LSchelns. With the increasing tendency to only perform opera in its original language towards the end of the 1950s, Roswaenge's engagements diminished and among his last successes count the operettas and recialts organized in New York's Carnegie Hall and the Madison Square Garden in 1963 and 1964. Roswaenge then retired from the stage to dedicate himself to vocal pedagogy in Mnnchen, where he passed away in 1972, at the age of 75. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 9.99 USD
Location: San Francisco, California
End Time: 2024-11-26T05:16:00.000Z
Shipping Cost: 7.49 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Felicie Hüni Mihacsek, Felicie Hueni Mihacsek, Helge ROSWAENGE, Helge ROSVAENGE, Julius Pruwer, Julius Prüwer
Format: Record
Release Title: AIDA Final TOMB SCENE Es hat der Stein/ Sieh dort den Todesengel
Material: Shellac
Type: Single
Genre: Classical, Opera, World Music
Record Label: Deutsche Grammophon
Record Size: 12"
Style: Aria, Ars Nova, Ballata, Cantata, Canzona, Chanson, Chorale, Christian, Elegy, Film Score/Soundtrack, Gregorian Chant, Laude, Lied, Lullaby, Madrigal, Mass, Motet, Music Hall, Musical/Original Cast, Oratorio, Radio Play/Show, Schlager, Serenade, Traditional/Vocal, Vocal, Anthem, Christmas, Opera, TV Score/Soundtrack
Speed: 78 RPM
Language: German
Catalog Number: 67364
