Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great Opera and Vocal Records in my other listings! Sigrid Onegin Elisabeth Elfriede Emilie Sigrid Hoffmann Sigrid Onégin was a Franco-German operatic contralto, born 1 June 1889 in Stockholm, Sweden and died 16 June 1943 in Magliaso, Switzerland. Sigrid Onegin - greatest Contralto of them all since Ernestine Schumann Heink here in a very late acoustic recording on BRUNSWICK Her singing of the LUCREZIA BORGI Brindisi is more technically polished than Schumann Heinks, and ranks as one of the great performances, although it does not have Ernestine's ruthless self abaondon/ Mozarts Alleluja from Exsultate Jubilate is one word repeated 25 time. She shows great Contralto coloratura, trills and fioritureSigrid Onegin – Lucrezia Borgia–Brindisi / AllelujaLabel: Victor Red Seal – 1367A Lucrezia Borgia – Brindisi (Drinking Song – It Is Better To Laugh) (Act 3)Composed By – Donizetti*3:28B Alleluja (From The Motette "Exsultate")Composed By – Mozart*3:16Contralto Vocals – Sigrid OneginNotesContralto with orchestraSide A recorded: 2/7/1928Side B recorded: 1/11/1929.orig issue Victor Scroll 10" 78 rpm CONDITION: Better than EXCELLENT PRSITINE, plays EXCEPTIONALLY quiet rare ticksFaint warp NAPFranco-German mezzo-soprano, 1889 - 1943 Biographical notes: She was the daughter of a French father and a German mother and was born in Stockholm. Her real name was Elisabeth Hoffmann. After her parentsÆ divorce she and her mother moved to Wiesbaden/Germany. Although her talent for singing was evident at an early age she had to work as a secretary to support her mother. When she heard the famous Mme Charles Cahier at the theatre singing Carmen she decided to audition for Eugen Robert Weiss. She soon became the prize pupil at the Spangenberg Conservatory, where she met Baron Eugen Borisowitsch Lhwoff OnTgin (his mother had studied singing with Garcfa). He soon became her advisor and accompanist and eventually her first husband. Max von Schillings invited her to the Stuttgart Hofoper where she made her dTbut as Carmen in 1912. Only some weeks later she was the partner opposite Enrico CarusoÆs Don JosT. He was so impressed by her that he immediately wanted to take her to the United States! But because of the wise opposition of her husband she prevented such a venture. She continued her studies in Stuttgart with Cavaliere de Ranieri. By 1914 she was on her way to start a world career. But at the outbreak of Worldwar I, her Russian husband had to go into hiding and she succeeded in keeping him secluded for two years. The war had also terminated her studies with de Ranieri. She made further studies with Margarete Siems, the first Chrysothemis, Marschallin and Zerbinetta. In 1919 her husband died. Her repertory included more than 500 songs, performing them in 13 languages... It was in Munich where she met her second husband, the physician Dr. Fritz Pentzoldt. At this time she gave countless recitals in all German cities (apart from her operatic activities). In 1922 she left for the United States where she made her dTbut in Carnegie Hall in a concert conducted by Leopold Stokowski. Her success was tremendous, but it was not until November 1922 she made her first appearance at the MET as Amneris. Her partners were Elisabeth Rethberg and Giovanni Martinelli. She also sang BrangSne and Fricka. She toured America as a recitalist and continued to appear in USA regularly until 1938. From 1920 - 1931 she was a member of the ensemble of the StSdtische Oper Berlin and from 1931 - 1935 she had also a guest contract with the Stadttheater Znrich. She appeared in Salzburg, at the Bayreuth Festival, the Paris OpTra, the Vienna Staatsoper and at Covent Garden. After 1931 until her death she lived in Switzerland. Sigrid OnTgin aged 15: ôI loved swimming and skating!ö Recordings: Recital Vol. 1 (Arias by Gluck, Donizetti, Meyerbeer, Verdi, Bizet, Saint-Sadns and Alt-Rhapsody by Brahms) Preiser - LV Recital Vol. 2 (Songs by Mozart, Schubert, Loewe, Brahms, Liszt, Mendelssohn, Rubinstein, Caccini, Lotti, Arditi and Chopin) Preiser - LV Recital Vol. 3 (Arias by Gluck, Donizetti, Verdi, Wagner, Kienzl, Bizet, Saint-Sadns. Vier ernst Lieder (Brahms) Preiser - LV Four Famous Contraltos of the Past (Emmi Leisner, Karin Branzell, Rosette Anday) Preiser - LV Aus Mnnchens Operngeschichte (MunichÆs Opera History) Preiser - LV Mike RichterÆs Opera Page: The Record of Singing Vol. 3 CD-ROM Comment: Sigrid OnTgin had the finest and most highly trained contralto voice since Schumann-Heink. Frequently you can read that OnTgin did not approach Schumann-HeinkÆs fire and communicative power and commitment. I admit, listening to her the first time I had the impression of a ômarmorealö voice. But over the years I have managed to love the ôtrue OnTgin sound.ö How describing her voice? It is a sumptous voice of velvety and metallic color at the same time. There is an extraordinary flexibility which is so characteristic for her. The most famous examples are the vocalise of ChopinÆs Impromptu in A flat which was especially arranged for her. Even more thrilling is ArditiÆs Leggiero invisibile. Two of her most superb recordings are O prOtres de Baal from MeyerbeerÆs Le ProphFte and the Brindisi from DonizettiÆs Lucrezia Borgia (cadenzas!). She could move from note to note like a string instrument, her range was of almost three octaves (!). Her trill was a phenomen. Her Lieder recordings (1920 - 1930) are true treasures. Her version of SchubertÆs Erlk÷nig, Du bist die RuhÆ, Freiwilliges Versinken, the Mozart songs, MendelssohnÆs Die Liebende schreibt belong to the most outstanding contralto lieder recordings. O prOtres de Baal (FidFs in Le ProphFte / Meyerbeer / Victor 1929) ôTon muss Ausdruck und Ausdruck muss Ton werden.ö Sigrid OnTgin More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 14.99 USD
Location: San Francisco, California
End Time: 2024-12-09T18:38:52.000Z
Shipping Cost: 7.49 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Arthur Jones, E. B. Thiele, John Helleberg, Marshall Lufsky, Marshall P. Lufsky, Maurice Milcke, SIGRID ONEGIN
Format: Record
Material: Shellac
Genre: Classical
Record Label: RCA Victor
Record Size: 10"
Style: Aria, Ars Nova, Ballata, Cantata, Canzona, Chanson, Chorale, Christian, Elegy, Film Score/Soundtrack, Gregorian Chant, Laude, Lied, Lullaby, Madrigal, Mass, Motet, Music Hall, Musical/Original Cast, Oratorio, Radio Play/Show, Schlager, Serenade, Traditional/Vocal, Vocal, Anthem, Christmas, Opera, TV Score/Soundtrack
Speed: 78 RPM
Release Title: MOZART Alleluja (From The Motette "Exsultate")/ Lucrezia Borgia –
Language: English, French, German, Italian
Catalog Number: 1367
Sub-Genre: Opera
