1886 Atlas of Australasia Antique Print The Spearing of Edmund Kennedy QLD, 1848

Description: contact usebay profileebay store The Death of Kennedy Cartographer : - The Picturesque Atlas of Australasia Date: - 1886 Size: - 15 1/2in x 12in (395mm x 305mm)Ref#: - 32766Condition: - (A+) Fine Condition Description: This original antique lithograph print of the death of Edmund Kennedy by an Aboriginal spear in 1848 during an expedition to Cape York, Queensland was published in the extremely significant Australian & New Zealand publication The Picturesque Atlas of Australasia between 1886-88. General Definitions: Paper thickness and quality: - Heavy and stable Paper color : - off white Age of map color: - Colors used: - General color appearance: - Paper size: - 15 1/2in x 12in (395mm x 305mm) Plate size: - 15 1/2in x 12in (395mm x 305mm) Margins: - Min 1in (25mm) Imperfections: Margins: - Margins cropped to image Plate area: - None Verso: - NoneBackground: Edmund Besley Court Kennedy J. P. (1818 – 1848) was an explorer in Australia in the mid nineteenth century. He was the Assistant-Surveyor of New South Wales, working with Sir Thomas Mitchell. Kennedy explored the interior of Queensland and northern New South Wales, including the Thomson River, the Barcoo River, Cooper Creek, and Cape York Peninsula. He died in December 1848 after being speared by Aboriginal Australians in far north Queensland near Cape York. The Picturesque Atlas of AustralasiaFirst published in Sydney between 1886-88. Many of its over 700 wood-engraved illustrations were specially commissioned works by leading Australian artists. It was released in 42 separate editions usually bound into three large volumes and sold a remarkable 50,000 copies. Its publication was one of the most significant cultural projects in nineteenth-century Australia. Writers, artists, academics and politicians came together to prepare a book of unprecedented grandeur and ambition, and a publishing company was established to produce and publish it. The seven hundred engravings on steel and wood contained in the Picturesque Atlas were among the finest engravings to be found anywhere in the world at this time. The Atlas was a collegial project, staffed by a large number of artists and garnering an unusual number of contributors for one work. Lightly supervised by the former Sydney Morning Herald editor Andrew Garran it was lavishly produced at the Wynyard Square headquarters of the Atlas company. It had the services of the Melburnian journalist and public figure James Smith who wrote much of the Victorian and Tasmanian material, and W.H. Traill wrote extensively about Queensland. It was not, of course, an Atlas is the usual sense of the word, maps playing a comparatively minor role. But use of Atlas in the title, Hughes-d'Aeth notes, gave a sense of the scale of the publication both in terms of comprehensiveness and format. As the author points out, calling it an Atlas carries a promise of the exactitude of the relationship between the subject and its representation, and also bears a sense of the acquisitiveness that shadows the imperial phase of cartography. There were only thirty maps in the Atlas's 800 pages, but there were hundreds of pictures. This is where much of the ideological work of the Atlas was completed and this is where Paper Nation concentrates its analysis. Its first task is to unravel the linguistic ball of string that is the word 'picturesque'. Though Humphrey Repton and Uvedale Price had their opinions, Hughes-d'Aeth is quite right to pick William Gilpin out of the line-up of suspicious aesthetes, for it was he who really popularised the idea of travelling in search of picturesque views. Paper Nation's dissection of the term picturesque is particularly aware of the term's adaptation to colonial usage, and its mutations through time. The picturesque took on an increasingly acquisitive edge, as admiration of the beauty of the land was joined by a concern to exploit it. A 'deep reverence for production' can be seen in the Picturesque Atlas's many illustrations of mines, factories and agricultural processes. The slag heaps of a mine were now as 'picturesque' as a fern-filled valley, but this does mean that the term was evacuated of all meaning. Rather the aesthetic appropriation of the land and its material exploitation were part of a continuum of colonial attitudes, and it was the duty of the Picturesque Atlas to affirm and re-affirm the rightness of European habitation and progress. (Ref: M&B; Tooley) What is an Antique Map The word Antique in the traditional sense refers to an item that is more than a hundred years old. In the past maps were sold in two forms, as a single sheet (broadsheet) or bound in an atlas or book. The majority of antique maps for sale today come from books or atlases and have survived due to the protection offered by the hardback covers. When considering a purchase The first thing to determine when staring a collection or purchasing an item, is what is important to you. Most collectors prefer to build their collections around a theme. You may decide to collect maps from one region or country, charting its development through time. Similarly you could collect maps of one particular period in time, by type (i.e. sea or celestial charts) or by cartographer. The collector might also want to consider the theme of cartographical misconceptions such as California as an island or Australia as Terra Australis or the Great Southern Land. The subject is so wide that any would-be-collector has almost endless possibilities to find his own little niche within the field, and thereby build a rewarding collection. Starting a collection & pricing Pricing is based on a number of different factors, the most important of which is regional. In any series of maps the most valuable are usually the World Map and the America/North America. The World because it is usually the most decorative and America because it has the strongest regional market. Other factors that come into play re: price is rarity, age, size, historical importance, decorative value (colour) and overall condition and quality of paper it is printed on. As specialised dealers, we frequently work with first time map buyers who are just starting their collection. Guiding new collectors on their first antique map purchase and helping new collectors to focus their interests is one of the most rewarding aspects of being an rare map dealer. So please do not hesitate to contact us and we will be happy to help with any questions you may have. Payment, Shipping & Return Options Please click on the "Shipping and Payments" Tab above for shipping, payment and return details About US Classical Images was founded 1998 and has built an excellent reputation for supplying high quality original antiquarian maps, historical atlases, antique books and prints. We carry an extensive inventory of antiquarian collectibles from the 15th to 19th century. Our collection typically includes rare books and decorative antique maps and prints by renowned cartographers, authors and engravers. Specific items not listed may be sourced on request. Classical Images adheres to the Codes of Ethics outlined by the Antiquarian Booksellers Association of America (ABAA). We are a primarily an online based enterprise, however our inventory may be viewed by appointment. Please call or email to arrange a viewing.

Price: 35 USD

Location: Ivanhoe, VIC

End Time: 2024-08-10T09:05:09.000Z

Shipping Cost: 9.99 USD